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Examples

  • It's possible that those features were derived from a random model, and that "Antea" "implies a relationship of desire between herself and the viewer, suggesting that she has accepted the advances of the beholder on whom she gazes."

    This Beauty Still Beguiles 2008

  • The Frick's Ms. Neilson believes that the painter has placed us, the viewers, in the position of lover, with "Antea" an idealized invention.

    This Beauty Still Beguiles 2008

  • Tempting as it is to believe that "Antea" was the artist's lover and a courtesan, she lacks the disheveled hair and unabashed expression that are visual code in Renaissance portraiture for that line of work.

    This Beauty Still Beguiles 2008

  • "Antea" 's jewels and fur are typical of those given as wedding gifts to new brides.

    This Beauty Still Beguiles 2008

  • Ms. Neilson dates "Antea" from 1531 to 1534, based on related drawings of the figure's hand.

    This Beauty Still Beguiles 2008

  • There is a faint melancholy about her, but Parmigianino's "Antea," on view in the U.S. for the first time in 20 years, is one of the most enigmatic female portraits of the Renaissance.

    This Beauty Still Beguiles 2008

  • The marten could be read as evidence that "Antea" was a bride.

    This Beauty Still Beguiles 2008

  • Though the portrait incorporates some Mannerist elements -- the exaggerated dress and disproportionate head place the work in that period, between the late Renaissance and the Baroque, with which Parmigianino is associated -- "Antea" also exemplifies the great achievement of the Renaissance: a convincing naturalism that brings subjects to life.

    This Beauty Still Beguiles 2008

  • But the recent datings of "Antea" indicate that Ottavia would have been too young to be the girl in the portrait.

    This Beauty Still Beguiles 2008

  • Parmigianino endowed "Antea," a lone, standing figure, with a beguiling humanity.

    This Beauty Still Beguiles 2008

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