Burial's

The first non-music fans probably heard of dubstep was in 2008 when Burial's brooding album, Untrue, was tipped for the Mercury prize.

Magnetic Man by Magnetic Man – review Kitty Empire 2010

It would be hard to deny that Burial's emergence sparked a significant shift in underground music in London, an occurrence that rarely fails to filter overground.

Young Turks' London soundtrack 2011

Burial's mentor and Hyperdub label boss Steve Goodman AKA Kode9 has a PhD in philosophy from Warwick and recently published a book on sonic weaponry.

Caribou's Dan Snaith finds the formula for success with Swim Sam Richards 2010

Another unknown quantity, Airhead, contributes "Paper Street," a subtle, contemplative piece of ambient, hollowed-out atmospherics that breaks ground between Mount Kimbie's brightly textured blend of indie, electronica, and dubstep, and Burial's skeletal and moody urban soundscapes.

Prefix 2010

Another unknown quantity, Airhead, contributes "Paper Street," a subtle, contemplative piece of ambient, hollowed-out atmospherics that breaks ground between Mount Kimbie's brightly textured blend of indie, electronica, and dubstep, and Burial's skeletal and moody urban soundscapes.

Prefix 2010

It's affecting in the same way a record like Burial's

Drowned In Sound // Feed Hari Ashurst 2010

Burial's 2007 LP Untrue introduced many electronic music fans to Dubstep.

Ontario Blogs Feed 2010

The problem was that once you got through Untrue and Burial's less flashy self-titled debut, there was little else in the scene that sounded nearly as rich.

Ontario Blogs Feed 2010

Ignore the lyrical content, and this stands up next to Burial's dubstep, as a portrait of urban decay.

Drowned In Sound // Feed 2009

Ignore the lyrical content, and this stands up next to Burial's dubstep, as a portrait of urban decay.

Drowned In Sound // Feed 2009