Cocteau

• “I know Orpheus contains references to many things in Cocteau's world, but I don't know what they are -- try Wikipedia for a start.”

  View from the Northern Border

• “We want what the poets in Cocteau’s Orphee want — Etonnez-moi!”

  Panel 3: Clarity & Obscurity: The Uses and Misuses : Ange Mlinko : Harriet the Blog : The Poetry Foundation

• “The evidence as it stood in 1960 suggested the former—but then there are the so-called Cocteau statutes.”

  Simon & Schuster: The Sion Revelation

• “We have already referred to Cocteau’s weird mural in central London’s “French Church”—Notre-Dame de France in Leicester Place, off Leicester Square—which is described in detail in our previous book.112There are significant resonances between this mural and other artistic works connected with the Priory’s story.”

  Simon & Schuster: The Sion Revelation

• “Considering the expression on Cocteau’s face, which surely implies deep unease about the entire scene, it may not be stretching a point too far to find a similar hostility in the violence with which Leonardo has turned away from the Holy Family in the Adoration.”

  Simon & Schuster: The Templar Revelation

• “The Cocteau Twins second full-length recording Head Over Heels is often cited by the band as well as many enthusiasts as being among their true favorites, and established the trademark "Cocteau" sound.”

  Tonevendor Update

• “Here's an appreciation of his work on music: Stephen Schloesser, SJ, Maritain on Music: His Debt to Cocteau.”

  Catholic Culture Adds Arts Library

• “Albert always the historian, told me Napoleon, Colette, Hugo, Cocteau dined here.”

  The Huffington Post: Carole Mallory: Pan Am Days: Dancing With Paris In 1966

• “Les Anges du péché" ("Angels of the Streets," 1943) is set amid a community of Dominican nuns that welcomes reformed female prisoners, and his "Les Dames du Bois de Boulogne" ("The Ladies of the Bois de Boulogne," 1945), based on part of a Diderot novel and featuring dialogue by Jean Cocteau, is a glittering cocktail of irony and redemption.”

  The Wall Street Journal: Salvation at the Forum

• “Jean Cocteau – Long before Wenders, Kubrick, Cronenberg, Greenaway, or Fellini, there was Cocteau doing silent films in black and white.”

  Weird Tales’ 85 Weirdest « Colleen Anderson

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