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Etymologies
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Examples
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Double-stops, on the contrary, cost me hours of intensive work before I played them with ease and facility.
Violin Mastery Talks with Master Violinists and Teachers Frederick Herman Martens 1903
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Double-stops, frequent alternations of registration, and a driving dialogue with the flute, clarinet, oboe, and staccato strings point to the Beethoven once more, whose own, last movement theme Clement may well have suggested to the greater master.
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Double-stops, frequent alternations of registration, and a driving dialogue with the flute, clarinet, oboe, and staccato strings point to the Beethoven once more, whose own, last movement theme Clement may well have suggested to the greater master.
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Double-stops, frequent alternations of registration, and a driving dialogue with the flute, clarinet, oboe, and staccato strings point to the Beethoven once more, whose own, last movement theme Clement may well have suggested to the greater master.
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Double-stops, frequent alternations of registration, and a driving dialogue with the flute, clarinet, oboe, and staccato strings point to the Beethoven once more, whose own, last movement theme Clement may well have suggested to the greater master.
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Double-stops, frequent alternations of registration, and a driving dialogue with the flute, clarinet, oboe, and staccato strings point to the Beethoven once more, whose own, last movement theme Clement may well have suggested to the greater master.
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Double-stops, frequent alternations of registration, and a driving dialogue with the flute, clarinet, oboe, and staccato strings point to the Beethoven once more, whose own, last movement theme Clement may well have suggested to the greater master.
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Double-stops, frequent alternations of registration, and a driving dialogue with the flute, clarinet, oboe, and staccato strings point to the Beethoven once more, whose own, last movement theme Clement may well have suggested to the greater master.
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Double-stops, frequent alternations of registration, and a driving dialogue with the flute, clarinet, oboe, and staccato strings point to the Beethoven once more, whose own, last movement theme Clement may well have suggested to the greater master.
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Double-stops, frequent alternations of registration, and a driving dialogue with the flute, clarinet, oboe, and staccato strings point to the Beethoven once more, whose own, last movement theme Clement may well have suggested to the greater master.
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