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Examples

  • I, for one, would like to know, in detail, what Keiller is talking about.

    06/18/2004 2004

  • These bald men in round glasses: is Keiller, Sinclair or Petit ventriloquising this film?

    March « 2010 « Squares of Wheat 2010

  • He wasn't translated into English until 1996, but back in 1992 when The Emigrants was coming out in German, British director Patrick Keiller was filming the movie London.

    Michael Giltz: Movies: NYFF #3 -- Blame It On The Bossa Nova! Michael Giltz 2011

  • These bald men in round glasses: is Keiller, Sinclair or Petit ventriloquising this film?

    Content « Squares of Wheat 2010

  • He wasn't translated into English until 1996, but back in 1992 when The Emigrants was coming out in German, British director Patrick Keiller was filming the movie London.

    Michael Giltz: Movies: NYFF #3 -- Blame It On The Bossa Nova! Michael Giltz 2011

  • Incidentally, the link in the Keiller submission seems to be broken, and I can't find anything at the EPW committee website which would fit.

    CRU Inquiry Report submissions EliRabett 2010

  • Tate Modern prove themselves once more capable of putting on interesting and challenging film programmes, even in the middle of a dull summer blockbuster like Dali, with a day of Patrick Keiller films ending in a presentation by Keiller himself of an installation work he produced for Le Fresnoy in Lille based around the vast gothic Victoria Terminus railway station in Mumbai.

    Future City Mumbai « Squares of Wheat 2007

  • Even from the basic documentation which Keiller shows, it looks like an immensely impressive affair, one now dismantled and unlikely ever to be repeated: this is the ‘problem of the panorama’

    Future City Mumbai « Squares of Wheat 2007

  • Even from the basic documentation which Keiller shows, it looks like an immensely impressive affair, one now dismantled and unlikely ever to be repeated: this is the ‘problem of the panorama’

    July « 2007 « Squares of Wheat 2007

  • Tate Modern prove themselves once more capable of putting on interesting and challenging film programmes, even in the middle of a dull summer blockbuster like Dali, with a day of Patrick Keiller films ending in a presentation by Keiller himself of an installation work he produced for Le Fresnoy in Lille based around the vast gothic Victoria Terminus railway station in Mumbai.

    July « 2007 « Squares of Wheat 2007

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