Marschner

Bericht über das Zittauer Marschner-Symposium, ed.

Berlin Salons: Late Eighteenth to Early Twentieth Century. 2009

"People do something reasonable for one bounce and then assume it reflects diffusely," Marschner explained.

Boing Boing: July 23, 2006 - July 29, 2006 Archives 2006

Marschner and (grad student Jonathan) Moon's algorithm begins by tracing rays from the light source into the hair, using some approximations of the scattering and producing a map of where photons of light can be found throughout the volume of hair.

Boing Boing: July 23, 2006 - July 29, 2006 Archives 2006

Marschner and Moon's algorithm begins by tracing rays from the light source into the hair, using some approximations of the scattering and producing a map of where photons of light can be found throughout the volume of hair.

Archive 2006-07-01 Jeremiah McNichols 2006

"People do something reasonable for one bounce and then assume it reflects diffusely," Marschner explained.

Archive 2006-07-01 Jeremiah McNichols 2006

The text to this opera, which was written by the celebrated actor and sent to Marschner anonymously, so struck the composer by its beauty that he adapted music to it, music which ought to be heard much oftener on our stages, on account of its freshness and of its healthy dramatic action, which never flags, but continues to interest and move the hearer with ever-increasing effect till the end is reached.

The Standard Operaglass Detailed Plots of One Hundred and Fifty-one Celebrated Operas Charles Annesley

This he finished, and the work, performed years later, was found to be imitative of Beethoven, Weber, and Marschner; the music was nevertheless very melodious.

The World's Great Men of Music Brower, Harriette 1922

He might have added that he owed something to Marschner, but he never spoke of that.

Musical Memories Saint-Saens, Camille 1919

Of the operas of Marschner much the same must be said; in them we find the tricks of the Romantics without the best Romantics 'sense of beauty, all the horrors of Weber without Weber's passion.

Wagner Runciman, John F 1913

Spontini and Marschner scored cumbrously also, partly because they could not help it, partly because they wanted to fill the theatre with sound.

Richard Wagner Runciman, John F 1913