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Examples
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"We were in a dictatorship; we weren't at the time interested in information different from that given by Matilde," he said, referring to Neruda's widow, Matilde Urrutia, who supported the foundation's conclusion until her death.
www.startribune.com 2012
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"We were in a dictatorship; we weren't at the time interested in information different from that given by Matilde," he said, referring to Neruda's widow, Matilde Urrutia, who supported the foundation's conclusion until her death.
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"We were in a dictatorship; we weren't at the time interested in information different from that given by Matilde," he said, referring to Neruda's widow, Matilde Urrutia, who supported the foundation's conclusion until her death.
www.startribune.com 2012
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The sets, by Riccardo Hernandez, consisted of platforms (Neruda's terrace and living room, Rosa and Beatrice's caf é) that slid forward as needed, scrims, and a few set pieces (the car of the corrupt politician Di Cosimo).
When Postman and Poet Meet Heidi Waleson 2010
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Embracing Neruda's Communist beliefs as well as his metaphors, he is killed during a political demonstration.
When Postman and Poet Meet Heidi Waleson 2010
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When Domingo sang Neruda's famous love sonnet "Mañana XXVII," a poetic evocation of his naked beloved, he disrobed Gallardo-Domas to the waist (so much for figurative speech).
Domingo's tenor lifts respectable, but too literal, 'Il Postino' by Daniel Catán Anne Midgette 2010
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The opera retains much of the film's dialogue while adding love music for Neruda and his wife, Matilde (Cristina Gallardo-Domas, who is Chilean, looking and sounding exquisite); a buffo-style tenor duet for Neruda and the simple postman Mario (Charles Castronovo), who gradually comes to worship him; and a couple of Neruda's poems, which make perfect arias.
Domingo's tenor lifts respectable, but too literal, 'Il Postino' by Daniel Catán Anne Midgette 2010
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The arias are set to Neruda's own poems and words, and Mr. Cat á n seemed overly respectful of those texts: The vocal settings are among the flattest in the piece.
When Postman and Poet Meet Heidi Waleson 2010
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When the poet demurs, Mario uses Neruda's own love poems for the purpose, and succeeds.
When Postman and Poet Meet Heidi Waleson 2010
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Indeed, before entering the first of two main spaces devoted to the exhibit, you encounter five 1968 lithographs inspired by the poet Pablo Neruda's epic work, "Canto General," an all-embracing distillation of Latin American history, geography and culture.
Siqueiros in Unfamiliar Terrain Arnie Cooper 2010
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