Pasolini

• “Three decades after his death, Pasolini is ripe for reappraisal," argues Ian Thomson in the Telegraph.”

  GreenCine Daily: Shorts, 2/19.

• “This is largely because there are no well-made English subtitled Pasolini prints stored anywhere in the United States.”

  The Harvard Crimson | All Articles

• “The marriage brought her into contact with leading Italian writers and intellectuals of the day such as Pasolini, Umberto Saba and Sandro Penna.”

  Elsa Morante.

• “Pasolini (who was murdered shortly after the movie's completion) structures this political allegory using Dante's Divine Comedy, and never flinches from the sequences of torture and madness, making the movie all the more disturbing.”

  Scary Movie Ten

• “• Music for the penning of this posting was provided by Antonio Farao's, "Takes On Pasolini," an elegant set of jazz piano.”

  Weblogs

• “In the way that one rider's fall involved others, the awful death of Marco Simoncelli at Sepang on Sunday reminded me of the day in 1973 during the Grand Prix of Nations meeting at Monza when Renzo Pasolini – an Italian who, like Simoncelli, rode as much with his heart as his head – went down on his 250cc Aermacchi, starting an accident that involved 12 more riders, including Jarno Saarinen, the brilliant Finn.”

  The Guardian: French game given timely lift by a fictional All Black | Richard Williams

• “There's a pantheon of directors whose worldview is thoroughly informed by a cohesive politics but seldom portray world leaders: could we conceive of an apolitical film by Pasolini, Godard, Buñuel, Costa-Gavras, Fassbinder, Altman, Spike Lee or Ken Loach?”

  The Guardian: Shooting the Iron Lady | Ben Walters

• “One of the lynchpins of the Pigneto scene, funkily retro Bar Necci Via Fanfulla da Lodi, 68; necci1924.com , was frequented by a slumming director Pier Paolo Pasolini back in the days when it was full of young proletarians hunched over billiards tables.”

  The Wall Street Journal: Finding Fellini

• “Besides the verse of Pasolini, himself gay, and a popular magazine's cover story about homosexuality that Vendola had stashed, at age 17, under a pile of books, there was little comfort.”

  The Washington Post: Nichi Vendola, a gay, ex-communist governor, becomes the unlikely rival to Italy's Berlusconi

• “Even renowned European filmmakers Federico Fellini and Pier Paolo Pasolini evidence the impact of Smith's import abroad.”

  The Huffington Post: G. Roger Denson: Jack Smith and the Aesthetics of Camp in an Era of Political Correctness

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