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Examples
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A labyrinth-like principal theme incorporates all twelve tones of the scale, a nod to the composer Arnold Schoenberg's angst-ridden atonality.
Rodney Punt: Turn of the Screw Gets a Stunning New Turn at LA Opera Rodney Punt 2011
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A labyrinth-like principal theme incorporates all twelve tones of the scale, a nod to the composer Arnold Schoenberg's angst-ridden atonality.
Rodney Punt: Turn of the Screw Gets a Stunning New Turn at LA Opera Rodney Punt 2011
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He said that, deferring to the missive, he'd decided to play something he composed according to Arnold Schoenberg's theories.
David Finkle: First Nighter: Genius Jazz Violinist Aaron Weinstein Meets Brilliant Jazz Singer Christine Ebersole in Dual Birdland Triumph David Finkle 2011
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A labyrinth-like principal theme incorporates all twelve tones of the scale, a nod to the composer Arnold Schoenberg's angst-ridden atonality.
Rodney Punt: Turn of the Screw Gets a Stunning New Turn at LA Opera Rodney Punt 2011
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Russell Beale told me that he is studying harmony and counterpoint; rather wonderfully, he's just finished reading Arnold Schoenberg's Theory of Harmony.
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Arcangel has cited influences as wide-ranging as Ed Ruscha, Steve Reich, Tiger Woods and Weekend at Bernie's, and his pieces incorporate material as diverse as Schoenberg's music and LOLcats YouTube clips.
Cory Arcangel: 'I'm trying to get to the idea of design's idea of the future' 2011
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It takes its title from Schoenberg's 'Pierrot Lunaire,' in which a character asks Pierrot to help him rediscover how to laugh.
A Violinist on a Solo Mission Stuart Isacoff 2011
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She precedes them with the Seven Early Songs, a group Berg himself extracted from the 30-odd settings he made under Schoenberg's beady eye, together with another nine of those Jugendlieder, in which the influences of Brahms and Wolf, as well as Strauss and Debussy, regularly float to the surface.
Berg: Seven Early Songs, Two Songs after Theodor Storm etc; Hartmann: Lamento – review Andrew Clements 2010
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Beginning with one of the 27 symphonies by Nikolai Myaskovsky, the contemporary of Prokofiev who defined the Soviet symphony but is rarely performed in Britain, it ends with the orchestral version of Schoenberg's early masterpiece, the Op 10 Chamber Symphony.
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A labyrinth-like principal theme incorporates all twelve tones of the scale, a nod to the composer Arnold Schoenberg's angst-ridden atonality.
Rodney Punt: Turn of the Screw Gets a Stunning New Turn at LA Opera Rodney Punt 2011
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