Twentieth-Century

Actually, my name got savaged by a particularly nasty bit of insider gossip in a very influential trade magazine called Twentieth-Century Artifact.

Eye of the Beholder Jayne Ann Krentz 1999

* Against Forgetting: Twentieth-Century Poetry of Witness (W.W. Norton, 1993), ISBN 0393033724 (ed.) * The Angel of History (HarperCollins, 1994), ISBN 0060170786

carolyn forché | the colonel « poetry dispatch & other notes from the underground 2009

In a chapter of Conceptual Revolutions in Twentieth-Century Art, I considered who were the greatest women artists of the past century.

David Galenson: The Unique Value of Cindy Sherman David Galenson 2011

In a chapter of Conceptual Revolutions in Twentieth-Century Art, I considered who were the greatest women artists of the past century.

David Galenson: The Unique Value of Cindy Sherman David Galenson 2011

French is justly proud that the opening line of his essay on British cinema and the Post Office – "I don't know much about philately, but I know what I lick" – made it into the Penguin Dictionary of Twentieth-Century Quotations, but his prose is too positivist for the flourish of rhetoric.

I Found it at the Movies: Reflections of a Cinephile by Philip French – review 2011

Her anthology, Against Forgetting: Twentieth-Century Poetry of Witness, was published in 1993, and her third book of poetry, The Angel of History (1994), was chosen for The Los Angeles Times Book Award.

carolyn forché | the colonel « poetry dispatch & other notes from the underground 2009

In 1948, Twentieth-Century Fox released the Cold War's first anticommunist film, Iron Curtain, the soundtrack of which featured music by Russian composer Dimitri Shostakovich.

Lewis Hyde: Hold the Line: Stop Copyright Rendition! Lewis Hyde 2011

In a chapter of Conceptual Revolutions in Twentieth-Century Art, I considered who were the greatest women artists of the past century.

David Galenson: The Unique Value of Cindy Sherman David Galenson 2011

Zina Saunders But it was in "Other Criteria: Confrontations With Twentieth-Century Art," published a few months later, that Steinberg's aesthetic outlook found its fullest expression.

The Man Who Taught Us to See Eric Gibson 2011

In a chapter of Conceptual Revolutions in Twentieth-Century Art, I considered who were the greatest women artists of the past century.

David Galenson: The Unique Value of Cindy Sherman David Galenson 2011