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Examples
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When Gillan set his aircraft down and taxied over to the hangar, the whole squadron was there to greet him; already the news had leaked out that "Gillo" had done it.
The HurricaneStory Gallico, Paul 1959
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And then, years later, I got to know Gillo Pontecorvo very well, and loved his company, and spoke with him at length about the film.
Michael Vazquez: NYFF @50: Chairman Richard Peña on Opening Nights: The Social Network, Miller's Crossing, All About My Mother, PLUS Saadi Yacef In-Person Tonight Michael Vazquez 2011
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Those are strong, strong political films, almost Italian director Gillo Pontecorvo style, you know?
Del Toro, Shindo Share Cross-Cultural Dialogue Bruce Bennett 2011
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The Battle of Algiers: One of the most influential films in the history of political cinema, Gillo Pontecorvo's The Battle of Algiers focuses on the harrowing events of 1957, a key year in Algeria's struggle for independence from France.
French Word-A-Day: 2008
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Gillo stayed very realpolitick, with Brando actually acting as an anti-white savior, the whole ugly reality of Machiavellian intrigues being exposed, and guess what, the movie bombed in America.
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The Battle of Algiers: One of the most influential films in the history of political cinema, Gillo Pontecorvo's The Battle of Algiers focuses on the harrowing events of 1957, a key year in Algeria's struggle for independence from France.
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Gillo stayed very realpolitick, with Brando actually acting as an anti-white savior, the whole ugly reality of Machiavellian intrigues being exposed, and guess what, the movie bombed in America.
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Gillo stayed very realpolitick, with Brando actually acting as an anti-white savior, the whole ugly reality of Machiavellian intrigues being exposed, and guess what, the movie bombed in America.
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The Battle of Algiers: One of the most influential films in the history of political cinema, Gillo Pontecorvo's The Battle of Algiers focuses on the harrowing events of 1957, a key year in Algeria's struggle for independence from France.
French Word-A-Day: 2008
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Steve Erickson, writing at Nerve, finds the film "aspires to the revolutionary gravitas of Gillo Pontecorvo's The Battle of Algiers, but it plays like a weaker retread of Ken Loach's 1995 Spanish Civil War opus Land and Freedom."
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