Rockwell Kent

One example of right-wing bullying is Rockwell Kent, one of the most well known artists of the 1930s.

Paul Boden: Art and Activism: 1930s and Today Paul Boden 2011

One example of right-wing bullying is Rockwell Kent, one of the most well known artists of the 1930s.

Paul Boden: Art and Activism: 1930s and Today Paul Boden 2011

She describes Rockwell Kent, the American painter and illustrator who fell in love with the Far North, as Greenland's Gauguin, "who saw his Tahiti in the starlit winters of Igdlorssuit."

Two books on the Arctic Post 2011

Mr. Smith said interviews will also happen in the area, which features banquettes in bronze, aqua, celadon, pecan and sandalwood hues; paintings by Thomas Hart Benton and Rockwell Kent; Mr. Smith's own art books; energy-efficient TVs; bottles of water; a hibiscus bamboo floor lamp; a sound-absorbing cork floor; battery-operated votives no lit candles allowed! and, just to make even Nicole Kidman feel at home, a calming bowl of lemons.

Oscar Greenroom: Aqua, Pecan, Lemons 2011

She describes Rockwell Kent, the American painter and illustrator who fell in love with the Far North, as Greenland's Gauguin, "who saw his Tahiti in the starlit winters of Igdlorssuit."

Two books on the Arctic Post 2011

Rockwell Kent CAMEhonestly by his best-known work, the extraordinary woodcut illustrations for a 1930 edition of "Moby-Dick."

Fury and Terror On the High Seas Geoffrey Wolff 2011

Rockwell Kent in N by E remarked, “We live for those fantastic and unreal moments of beauty which our thoughts may build upon the passing panorama of experience.”

Bird Cloud Annie Proulx 2011

Rockwell Kent in N by E remarked, “We live for those fantastic and unreal moments of beauty which our thoughts may build upon the passing panorama of experience.”

Bird Cloud Annie Proulx 2011

Rockwell Kent in N by E remarked, “We live for those fantastic and unreal moments of beauty which our thoughts may build upon the passing panorama of experience.”

Bird Cloud Annie Proulx 2011

Mr. Nemerov sees the tense mood of Ault's paintings of the 1940s as part of a larger response to the war years, supporting his thesis with works by Ault's like-minded colleagues and contemporaries, some of them well known—such as Edward Hopper, Rockwell Kent, Charles Sheeler and Andrew Wyeth—some of them obscure; all of them, like Ault, are faithful to the specifics of their surroundings, indifferent to radical, modernist ideas, and deadly serious.

Austerity, Economy, Stillness Karen Wilkin 2011