from The American Heritage® Dictionary of the English Language, 4th Edition

  • Ruisdael, Jacob van 1628?-1682. Dutch landscape painter whose baroque works, such as Windmill at Wijk (c. 1665), depict the majesty of nature.


Sorry, no etymologies found.


  • That last subject receives brief attention in a narrow hallway at the end of the show, leading to the gift shop, but the few prints on view seem to have been chosen as much for their familiar names—Jean-Baptiste-Camille Corot, Théodore Rousseau, Jacob van Ruisdael—as for apposite formal comparisons.

    A Matter of Perspective

  • Munich art "Vermeer in Munich" showcases Vermeer's "Woman Holding a Balance" alongside other works of the Dutch Golden Age by Jacob van Ruisdael and Willem van de Velde among others.

    What's on around Europe

  • The Hals Museum contains an excellent collection of works by other Haarlem painters of the Golden Age, including genre scenes by Jan Steen and Adriaen van Ostade, landscapes by Jacob Ruisdael, cityscapes of Haarlem by Gerrit and Job Berckheyde, portraits by Johannes Verspronck and Judith Leyster, and still lifes by Willem Heda and Pieter Claesz.

    David Galenson: Visiting the Oldest Dutch Master: The Frans Hals Museum

  • Tel: 34-94-4396-060 www. art "The Golden Age of Dutch and Flemish Painting at the St ä del" presents a selection of major works by Jan Vermeer, Frans Hals, Rembrandt van Rijn, Jan van Goyen, Jacob van Ruisdael and others.

    What's on Around Europe

  • At his best, Ruisdael was a considerable poet of nature, a man who conveys simultaneously the fragility of a twig and the massive strength and shapeliness of a grove of trees.

    Yale Press Log:

  • Other artists of the time emphasized Holland's big skies, but it was Ruisdael, whose cloudscapes show a world reduced to its essentials, who produced definitive images of his country's famous flatness.

    Yale Press Log:

  • In them, Ruisdael seems to be asking, like a twentieth-century abstractionist, how little of the dark earth he needs at the bottom of his painting to balance above it a vast sky.

    Yale Press Log:

  • Yet Ruisdael was also masterful when, as it were, he pushed all his tones in one direction.

    The Master of Landscape

  • The poems on Correggio (73), Ruisdael (75), Goethe (137),

    Graf von Loeben and the Legend of Lorelei

  • I do not give any reproductions of Ruisdael because his work loses so much in the process.

    A Wanderer in Holland


Log in or sign up to get involved in the conversation. It's quick and easy.