Sergei Eisenstein love

Sergei Eisenstein

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Examples

  • Although editing had emerged for many such as Sergei Eisenstein as the distinctive aspect of film,

    Philosophy of Film Wartenberg, Thomas 2008

  • Key figures such as Sergei Eisenstein, key genres such as landscape, and key crossovers like the museum film will be part of the discussion.

    Media Newswire 2009

  • This was stuffed to the gills with archive footage of more than a century's worth of the novels' translations to screen and examined whether there is, as director Sergei Eisenstein once contended, an essentially filmic quality to the man's work that makes him such a lure to writers, directors and actors.

    TV review: The Mystery of Edwin Drood | Arena: Dickens on Film | Websex: What's the Harm? 2012

  • The model is among a museum-quality grouping of 95 mint-condition posters, many of them iconic, by Alexander Rodchenko, Georgii and Vladimir Stenberg, and Grigori Borisov and Pyotr Zhukov for films such as Sergei Eisenstein's "Battleship Potemkin," Dziga Vertov's "Man With a Movie Camera" and Alexander Dovzhenko's "Earth" all three of which play in a continuous loop in the gallery.

    Constructivist Criticism Laid Bare Lance Esplund 2011

  • And now Mosfilm, the 87-year-old titan of Soviet and Russian film production—famed for works by masters such as Sergei Eisenstein and Andrei Tarkovsky, as well as genre films from adventure tales to musicals—has taken a leap into that river.

    A Russian Titan Embraces the Web Kristin M. Jones 2011

  • Exploring the metaphors of the group as body and of the body as machine, it harks back to Fernand Léger's "Mechanical Ballet," Sergei Eisenstein's "Battleship Potemkin" and Leni Riefenstahl's "Triumph of the Will."

    Outside-the-Box Thinking Starts From the Inside Lance Esplund 2011

  • Sergei Eisenstein's first movie is certainly that and it's a worthy companion piece to his even more electrifying Battleship Potemkin.

    Michael Giltz: DVDs: Malick's Latest Triumph Is Also One For Brad Pitt Michael Giltz 2011

  • Sergei Eisenstein used non-actors and made the crowd his hero; Vsevolod Pudovkin, in Mother and The End of St Petersburg, depicted revolution from below, without a leader in sight.

    Marx at the movies 2011

  • Sergei Eisenstein's first movie is certainly that and it's a worthy companion piece to his even more electrifying Battleship Potemkin.

    Michael Giltz: DVDs: Malick's Latest Triumph Is Also One For Brad Pitt Michael Giltz 2011

  • Sergei Eisenstein, Lev Kuleshov, Dziga Vertov – all had been involved on the Bolshevik side in this complex, savage war.

    Marx at the movies 2011

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