Aites

Since then, Ms. Ewell—who earned attention in 2008 with "Until the Light Takes Us," a documentary about Norwegian heavy metal that she made with her partner, Aaron Aites—has been working 12 to 14 hours a day to stay on top of a huge amount of material that she anticipates becoming "one amazing uber-film."

Uniting to Preserve Protest Footage Steve Dollar 2011

I was able to talk with Aites and Ewell about how one reaches out to artists who have been previously buffeted by the mainstream press, and why this form of music is best served by an iconoclastic filmmaking style.

Dan Persons: Mighty Movie Podcast: Behold, Black Metal: Aaron Aites and Audrey Ewell on Until the Light Takes Us 2009

Aaron Aites and Audrey Ewell's absorbing, low-key documentary "Until the Light Takes Us" recounts how a few Norwegian musicians hijacked an obscure offshoot of heavy metal and made it world famous, by moving from clown paint and anti - Christian imagery into vandalism, church burning and killing.

Denver Post: News: Breaking: Local <B>By Mike Hale </B><br><I>The New York Times</I> 2010

One gets the sense that Ewell and Aites think Varg is actually pretty cool, and the film's title is the English translation of Michael Nordine

All articles at Blogcritics Michael Nordine 2010

Aaron Aites that sometimes includes Kyp, has an upcoming show.

brooklynvegan 2010

Aaron Aites and Audrey Ewell's absorbing, low-key documentary recounts how a few Norwegian musicians hijacked an obscure offshoot of heavy metal and made it world famous, by moving from clown paint and anti-Christian imagery into vandalism, church burning and killing.

The Seattle Times 2010

US' (No rating, 1:33) Aaron Aites and Audrey Ewell's absorbing documentary about the Norwegian black-metal music scene examines how a few musicians hijacked an obscure offshoot of heavy metal, and made it world famous, by moving from clown paint and anti-Christian imagery into vandalism, church burning and killing.

NYT > Home Page By THE NEW YORK TIMES 2010

Aaron Aites and Audrey Ewell's absorbing, low-key documentary recounts how a few Norwegian musicians hijacked an obscure offshoot of heavy metal and made it world famous, by moving from clown paint and anti-Christian imagery into vandalism, church burning and killing.

The Seattle Times 2010

Part of the documentary's success is in its style: filmmakers Aaron Aites and Audrey Ewell reserve their own judgements and simply point the camera on their subjects, letting them speak without adding an outsider's viewpoint or an explanatory voice-over.

Vue Weekly Paul Blinov / paul@vueweekly.com 2010

Aaron Aites and Audrey Ewell's absorbing, low-key documentary recounts how a few Norwegian musicians hijacked an obscure offshoot of heavy metal and made it world famous, by moving from clown paint and anti-Christian imagery into vandalism, church burning and killing.

The Seattle Times 2010