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Examples

  • Ameur was captured at the same time and in the same building as Adel Hamad, the Sudanese hospital administrator released last December.

    Andy Worthington: Two 50 Year Olds Are Released From Guantanamo 2008

  • In his tribunal at Guantanamo, Ameur specifically refuted an allegation that his house was "a suspected al-Qaeda house."

    Andy Worthington: Two 50 Year Olds Are Released From Guantanamo 2008

  • The allegations against Ameur were as weak as those against Hamad, who was forced to refute groundless allegations that the Saudi charity who owned the hospital he worked for, the World Assembly of Muslim Youth (WAMY), was a front for terrorism.

    Andy Worthington: Two 50 Year Olds Are Released From Guantanamo 2008

  • In no uncertain terms, religion is the opiate of the workers in this scenario, but we're not necessarily prepared to see it, because in this case, the opiate Ameur-Zaïmeche decries is Islam.

    GreenCine Daily 2009

  • The yard boss, an Arab called "Mao" (Ameur-Zaïmeche) swindles his employees, fails to pay them overtime, but placates them by building a makeshift mosque in an abandoned hotel lobby behind the site.

    GreenCine Daily 2009

  • In no uncertain terms, religion is the opiate of the workers in this scenario, but we're not necessarily prepared to see it, because in this case, the opiate Ameur-Zaïmeche decries is Islam.

    GreenCine Daily 2009

  • The yard boss, an Arab called "Mao" (Ameur-Zaïmeche) swindles his employees, fails to pay them overtime, but placates them by building a makeshift mosque in an abandoned hotel lobby behind the site.

    GreenCine Daily 2009

  • In no uncertain terms, religion is the opiate of the workers in this scenario, but we're not necessarily prepared to see it, because in this case, the opiate Ameur-Zaïmeche decries is Islam.

    GreenCine Daily 2009

  • "Filmmaker Rabah Ameur-Zaimeche has invigorated this insight into false religiosity with warmth and raw humor." interview, but without subtitles.

    GreenCine Daily 2009

  • "Rabah Ameur-Zaimeche has addressed the schizoid nature of the clash of French and Algerian cultures before, most notably in the lovely Bled Number One, set in a small Algerian village," writes

    GreenCine Daily 2009

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