Anger's

Kenneth Anger's creepy/funny homage to Mickey Mouse:

Boing Boing 2009

Soon after Anger's films become known, queer iconography begins to permeate underground cinema and figurative painting in Hollywood, New York, London, Paris, and Tokyo.

G. Roger Denson: Political Art Timeline, 1945-1966: Postwar Art of the Left G. Roger Denson 2011

In this respect, Smith's films both share and depart from the purposively abject sensibility of Genet's Un Chant D'Amor and Anger's Fireworks, along with the image of Mishima posed famously as the martyred Saint Sebastian by photographer Kishin Shinoyama.

G. Roger Denson: Jack Smith and the Aesthetics of Camp in an Era of Political Correctness G. Roger Denson 2011

We can only wonder what Smith's international reputation would be today had he possessed either Anger's or Mishima's instinct for distribution and self-promotion and Genet's good fortune in attracting internationally-acclaimed supporters like Jean Cocteau and Jean-Paul Sartre.

G. Roger Denson: Jack Smith and the Aesthetics of Camp in an Era of Political Correctness G. Roger Denson 2011

We can only wonder what Smith's international reputation would be today had he possessed either Anger's or Mishima's instinct for distribution and self-promotion and Genet's good fortune in attracting internationally-acclaimed supporters like Jean Cocteau and Jean-Paul Sartre.

G. Roger Denson: Jack Smith and the Aesthetics of Camp in an Era of Political Correctness G. Roger Denson 2011

(Anger's poisonous energy is intensified in cramped spaces).

Judith Orloff MD: How to Cope with Personal Space Intruders (VIDEO) Judith Orloff MD 2010

I include Anger's Eaux d'Artifice for equally personal reasons: in 1970 a friend who was working at a film distribution house stole a copy of this soulful work, so moved was she by its beauty.

G. Roger Denson: MoMA and AA Bronson Present "Queer Cinema: Today and Yesterday" G. Roger Denson 2011

I include Anger's Eaux d'Artifice for equally personal reasons: in 1970 a friend who was working at a film distribution house stole a copy of this soulful work, so moved was she by its beauty.

G. Roger Denson: MoMA and AA Bronson Present "Queer Cinema: Today and Yesterday" G. Roger Denson 2011

(Anger's poisonous energy is intensified in cramped spaces).

Judith Orloff MD: How to Cope with Personal Space Intruders (VIDEO) Judith Orloff MD 2010

In this respect, Smith's films both share and depart from the purposively abject sensibility of Genet's Un Chant D'Amor and Anger's Fireworks, along with the image of Mishima posed famously as the martyred Saint Sebastian by photographer Kishin Shinoyama.

G. Roger Denson: Jack Smith and the Aesthetics of Camp in an Era of Political Correctness G. Roger Denson 2011