Artikulation

1946: For me "Táncol a Hold" (The moon is dancing) and "Kalmár jött nagy madarakkal" (A peddlar came with large birds - 2 songs with piano accompaniment) are explosive, courageous, surrealistic madness, both self-discovery and promise for the future, incomparable with anything in his oeuvre right up until the electronic "Artikulation" of 1958.

signandsight.com 2009

1946: For me "Táncol a Hold" (The moon is dancing) and "Kalmár jött nagy madarakkal" (A peddlar came with large birds - 2 songs with piano accompaniment) are explosive, courageous, surrealistic madness, both self-discovery and promise for the future, incomparable with anything in his oeuvre right up until the electronic "Artikulation" of 1958.

signandsight.com 2009

1946: For me "Táncol a Hold" (The moon is dancing) and "Kalmár jött nagy madarakkal" (A peddlar came with large birds - 2 songs with piano accompaniment) are explosive, courageous, surrealistic madness, both self-discovery and promise for the future, incomparable with anything in his oeuvre right up until the electronic "Artikulation" of 1958.

signandsight.com 2009

1946: For me "Táncol a Hold" (The moon is dancing) and "Kalmár jött nagy madarakkal" (A peddlar came with large birds - 2 songs with piano accompaniment) are explosive, courageous, surrealistic madness, both self-discovery and promise for the future, incomparable with anything in his oeuvre right up until the electronic "Artikulation" of 1958.

signandsight.com 2008

1946: For me "Táncol a Hold" (The moon is dancing) and "Kalmár jött nagy madarakkal" (A peddlar came with large birds - 2 songs with piano accompaniment) are explosive, courageous, surrealistic madness, both self-discovery and promise for the future, incomparable with anything in his oeuvre right up until the electronic "Artikulation" of 1958.

signandsight.com 2008

In the 70's, Rainer Wehinger created a visual listening score to accompany Gyorgy Ligeti's Artikulation.

different waters 2008