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His dislike even extended to the artist, and as Aubrey Beardsley was of easy and agreeable intercourse, the mutual repulsion deserves a word of explanation.
Aubrey Beardsley got the cue for his hothouse art from one figure in Botticelli's “Spring,” I need not state which figure: a glance at the picture and you behold sulphur fumes about the face of one of the women.
Did Aubrey Beardsley infuse his own spirit into his work?