Beermann

SOCIAL SAFEWAY DEBATE -- Some at-large council candidates gathered last night at Georgetown's new "Social Safeway" for a community forum, Judith Beermann of The Georgetown Dish offers a rundown: "The verdict on Wednesday's debate was that the top five candidates are in a spirited contest with no obvious leader as yet," before focusing on certain parochial issues.

DeMorning DeBonis: Feb. 24, 2011 2011

In No. 3, the five-movement “Rhenish,” Beermann is resolutely upbeat and buoyant in the first movement; the second and third flow well; the more serious fourth has appropriate weight; and the finale is truly rousing, especially the coda.

Schumann on CD Mark J. Estren 2010

The symphonies actually sound good in both interpretations – Schumann admits of multiple effective readings – but Beermann, who uses a new edition by Joachim Draheim, generally gets the better of things.

Schumann on CD Mark J. Estren 2010

It would be interesting to hear Beermann conduct the first version of this symphony.

Schumann on CD Mark J. Estren 2010

In the Adagio espressivo, Beermann is very expressive indeed, but a bit fast – and his reading of the finale is very spirited and fleet-footed.

Schumann on CD Mark J. Estren 2010

Beermann Swerdlove lies on the outer slope of this bell curve.

Women Lawyers--Back on Track 2008

Beermann Swerdlove lies on the outer slope of this bell curve.

March 2008 2008

It would be interesting to hear Beermann conduct the first version of this symphony.

Schumann on CD Mark J. Estren 2010

Beermann Swerdlove lies on the outer slope of this bell curve.

Where Women Lawyers Get Ahead? 2008

The symphonies actually sound good in both interpretations – Schumann admits of multiple effective readings – but Beermann, who uses a new edition by Joachim Draheim, generally gets the better of things.

Schumann on CD Mark J. Estren 2010