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Examples
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Set to Alfred Brendel's lyrical Piano Concerto No. 5 in E flat major, it shows the process from top to bottom of how ink is made.
Gorgeous Portrayal Of How Ink Is Made On Laughing Squid (VIDEO) Nicole Campoy-Leffler 2010
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Set to Alfred Brendel's lyrical Piano Concerto No. 5 in E flat major, it shows the process from top to bottom of how ink is made.
Gorgeous Portrayal Of How Ink Is Made On Laughing Squid (VIDEO) Nicole Campoy-Leffler 2010
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Set to Alfred Brendel's lyrical Piano Concerto No. 5 in E flat major, it shows the process from top to bottom of how ink is made.
Gorgeous Portrayal Of How Ink Is Made On Laughing Squid (VIDEO) The Huffington Post News Team 2010
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Also recently released is Decca's 3-CD set of Alfred Brendel's personal selection of his favorite Liszt recordings, "Alfred Brendel: Liszt—Artist's Choice" a compilation by one of the most highly regarded pianists of our time.
A Flock of Rock Docs John Jurgensen 2011
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Set to Alfred Brendel's lyrical Piano Concerto No. 5 in E flat major, it shows the process from top to bottom of how ink is made.
Gorgeous Portrayal Of How Ink Is Made On Laughing Squid (VIDEO) Nicole Campoy-Leffler 2010
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Set to Alfred Brendel's lyrical Piano Concerto No. 5 in E flat major, it shows the process from top to bottom of how ink is made.
Gorgeous Portrayal Of How Ink Is Made On Laughing Squid (VIDEO) Nicole Campoy-Leffler 2010
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Brendel's office charged Storms in November with 58 counts of murder for his alleged involvement in a massacre of Jewish forced laborers in a forest near the Austrian village of Deutsch Schuetzen.
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Back in college, I would have answered these questions, particularly the first one, with GPS accuracy: I want Gilels's fingers and Gould's brain, I want Argerich's energy with Brendel's rhetoric, I want Van Cliburn's sound and Pollini's repertoire.
Archive 2007-03-01 Matthew Guerrieri 2007
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Back in college, I would have answered these questions, particularly the first one, with GPS accuracy: I want Gilels's fingers and Gould's brain, I want Argerich's energy with Brendel's rhetoric, I want Van Cliburn's sound and Pollini's repertoire.
I wanna be a man, man-cub Matthew Guerrieri 2007
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Of course, during Brendel's first explosion into the Philips stable, even the idiosyncratic performers were deeply interested in understanding the music and representing their approach to that music.
Archive 2008-12-01 Patrick J. Smith 2008
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