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Examples
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Rebbe Nachman of Breslov, a Jewish Hasidic teacher who lived in a time and place of real fear of pogroms, and who had his own messianic qualities, said: "If you believe you can break something, believe you can fix it."
Josh Fleet: The J-Word: Why Jesus Is Taboo In Polite Jewish Conversation Josh Fleet 2012
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Rebbe Nachman of Breslov, a Jewish Hasidic teacher who lived in a time and place of real fear of pogroms, and who had his own messianic qualities, said: "If you believe you can break something, believe you can fix it."
Josh Fleet: The J-Word: Why Jesus Is Taboo In Polite Jewish Conversation Josh Fleet 2012
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I dash past HUM, take a short cut around SCI, fondly reflecting on the Tuesday session there on Breslov and Chabad messianism.
Danna Harman: What I Learned At Limmud Danna Harman 2011
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He works for a research institute that translates the writings of Nachman of Breslov, a revered nineteenth-century rabbi.
The Fiddler in the Subway Gene Weingarten 2010
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He works for a research institute that translates the writings of Nachman of Breslov, a revered nineteenth-century rabbi.
The Fiddler in the Subway Gene Weingarten 2010
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This concept is so ubiquitous, so universal, that Rebbe Nachman of Breslov went as far as to say that each and every blade of grass has its own unique melody as well.
Rabbi Adam Jacobs: Kabblah And Jazz: The Mystical Foundation Of Improvisational Music Rabbi Adam Jacobs 2010
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He works for a research institute that translates the writings of Nachman of Breslov, a revered nineteenth-century rabbi.
The Fiddler in the Subway Gene Weingarten 2010
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He works for a research institute that translates the writings of Nachman of Breslov, a revered nineteenth-century rabbi.
The Fiddler in the Subway Gene Weingarten 2010
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This concept is so ubiquitous, so universal, that Rebbe Nachman of Breslov went as far as to say that each and every blade of grass has its own unique melody as well.
Rabbi Adam Jacobs: Kabblah And Jazz: The Mystical Foundation Of Improvisational Music Rabbi Adam Jacobs 2010
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Wisse locates “the genesis of the literary schlemiel within the context of Yiddish literature” in a tale circa 1805 by Nahman of Breslov, the Hasidic rabbi who was a contemporary of Jane Austen.
Archive 2009-05-01 2009
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