Brougher

Showcasing the prolific but brief career of one of the 20th century's most influential artists, this major U.S. retrospective -- Klein's first since 1982 -- was co-organized by the Walker and the Hirshhorn, and co-curated by Dia Art Foundation director Philippe Vergne, formerly chief curator and deputy director at the Walker, and the Hirshhorn's deputy director and chief curator Kerry Brougher.

An Yves Klein Retrospective: With The Void, Full Powers Sophia Moreno-Bunge 2010

Showcasing the prolific but brief career of one of the 20th century's most influential artists, this major U.S. retrospective -- Klein's first since 1982 -- was co-organized by the Walker and the Hirshhorn, and co-curated by Dia Art Foundation director Philippe Vergne, formerly chief curator and deputy director at the Walker, and the Hirshhorn's deputy director and chief curator Kerry Brougher.

An Yves Klein Retrospective: With The Void, Full Powers The Huffington Post News Team 2010

Showcasing the prolific but brief career of one of the 20th century's most influential artists, this major U.S. retrospective -- Klein's first since 1982 -- was co-organized by the Walker and the Hirshhorn, and co-curated by Dia Art Foundation director Philippe Vergne, formerly chief curator and deputy director at the Walker, and the Hirshhorn's deputy director and chief curator Kerry Brougher.

An Yves Klein Retrospective: With The Void, Full Powers Sophia Moreno-Bunge 2010

Also at the Reeler, ST VanAirsdale talks with Brougher.

GreenCine Daily: Stephanie Daley. 2007

Earlier: Karen Durbin's interview with Brougher for the NYT.

GreenCine Daily: Stephanie Daley. 2007

"By remaining physically and emotionally attuned to her actors (as they are, in turn, to their characters) and not simply the considerable melodramatic heft of her story, Brougher avoids the towel-wringer this unfortunately topical story could have been had it been called, say, The Ski Mom," writes Michelle Orange.

GreenCine Daily: Stephanie Daley. 2007

Now, in a Q&A format a little unusual for the New York Times, Karen Durbin talks with writer-director Hilary Brougher.

GreenCine Daily: NYT, 4/15. 2007

"[Hilary] Brougher has shaped Stephanie Daley in a way that asks viewers to look into themselves and consider how they might handle a situation infused with such moral ambiguity," writes Gary Dretzka at Movie City News.

GreenCine Daily: Shorts, 4/30. 2007

"And if Stephanie Daley, written and directed by Hilary Brougher, didn't have its ear so perfectly tuned to intergenerational dialogue, and to the severe language of sex education in schools where abstinence is taught as the only acceptable form of birth control, it would come across as just such an essay."

GreenCine Daily: Stephanie Daley. 2007

Sept. 8, 45: Lt. George Armstrong, from Utah, picked me up at 0800 and flew me in a Piper Cub to Cabanatuan, landing on an airport we POWs had built by hand — rock by rock (See poem, “The Pilot,” by Gen. Brougher).

Blood Brothers Jacobs, Col Eugene 1985