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Examples

  • The 40-year-old Caracci was admired for his revival of High Renaissance grandeur; Caravaggio, at 29, was a meteorically rising star who recently created a sensation with a startlingly realistic cycle of paintings telling the story of St. Matthew.

    A Transfiguring Moment Karen Wilkin 2010

  • The 40-year-old Caracci was admired for his revival of High Renaissance grandeur; Caravaggio, at 29, was a meteorically rising star who recently created a sensation with a startlingly realistic cycle of paintings telling the story of St. Matthew.

    A Transfiguring Moment Karen Wilkin 2010

  • The 40-year-old Caracci was admired for his revival of High Renaissance grandeur; Caravaggio, at 29, was a meteorically rising star who recently created a sensation with a startlingly realistic cycle of paintings telling the story of St. Matthew.

    A Transfiguring Moment Karen Wilkin 2010

  • The 40-year-old Caracci was admired for his revival of High Renaissance grandeur; Caravaggio, at 29, was a meteorically rising star who recently created a sensation with a startlingly realistic cycle of paintings telling the story of St. Matthew.

    A Transfiguring Moment Karen Wilkin 2010

  • Among his questionable associates were organized crime figures Carlos Marcello and Frank Caracci; Al Payne Sr., a former warden whom Mr. Lee rehired despite a conviction for protecting a bookmaking operation; and Robert Guidry, who pleaded guilty to an extortion conspiracy and testified that he paid off former Gov.

    Archive 2007-10-01 2007

  • Agostino Carracci (or Caracci) (August 16, 1557 – March 22, 1602)

    Agostino Carracci: The Last Communion of St Jerome 2009

  • And as for a second place in painting, who would care to be Caravaggio or Caracci?

    The Newcomes 2006

  • Wherever you find a Raphael, a Rubens, a Michael Angelo, a Caracci, or a Da Vinci and we see them every day, you find artists copying them, and the copies are always the handsomest.

    Mark Twain Ron Powers 2005

  • Wherever you find a Raphael, a Rubens, a Michael Angelo, a Caracci, or a Da Vinci and we see them every day, you find artists copying them, and the copies are always the handsomest.

    Mark Twain Ron Powers 2005

  • For all we know, he may do wonders down there; he is the chosen candidate of the Consulta, and for my part I can see him very well placed, with his artistic leanings, in the setting of the Farnese Palace and the Caracci

    Within a Budding Grove 2003

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