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Examples
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Art historian, Katherine Smith, who curated the project along with Bogues and Karen Baxter, comments on Constant's innovation.
Gina Athena Ulysse: Constant: Haiti's Fiercest Flag Bearer Gina Athena Ulysse 2011
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Constant's influence on a generation artists over the last twenty year has not yet been properly recognized.
Gina Athena Ulysse: Constant: Haiti's Fiercest Flag Bearer Gina Athena Ulysse 2011
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Given the historic ways Vodou has been demonized and remains a scapegoat for Haiti's problems, Myrlande Constant's artistry and communion with the spirits through her flags is an education onto itself.
Gina Athena Ulysse: Constant: Haiti's Fiercest Flag Bearer Gina Athena Ulysse 2011
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Art historian, Katherine Smith, who curated the project along with Bogues and Karen Baxter, comments on Constant's innovation.
Gina Athena Ulysse: Constant: Haiti's Fiercest Flag Bearer Gina Athena Ulysse 2011
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Constant's influence on a generation artists over the last twenty year has not yet been properly recognized.
Gina Athena Ulysse: Constant: Haiti's Fiercest Flag Bearer Gina Athena Ulysse 2011
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Indeed, Constant's oeuvre and impact is most evident at the exhibition of flags in Brown's Rites and Reason theatre.
Gina Athena Ulysse: Constant: Haiti's Fiercest Flag Bearer Gina Athena Ulysse 2011
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Given the historic ways Vodou has been demonized and remains a scapegoat for Haiti's problems, Myrlande Constant's artistry and communion with the spirits through her flags is an education onto itself.
Gina Athena Ulysse: Constant: Haiti's Fiercest Flag Bearer Gina Athena Ulysse 2011
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Indeed, Constant's oeuvre and impact is most evident at the exhibition of flags in Brown's Rites and Reason theatre.
Gina Athena Ulysse: Constant: Haiti's Fiercest Flag Bearer Gina Athena Ulysse 2011
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I set Constant's vision against Linden Lab's Second Life, a world also deeply informed by ideas about games and play.
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Do you think there is more than a tenuous connection between the expectation of emergent behaviors in complex bureaucratic system and the expectation of the emergence of undirected play in Constant's reconfigurable spaces?
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