Cork's

Richard Kent's two-tiered set is filled with early Gothic arches, decorated tracery and weathered columns, while Adam Cork's sound design echoes with the distant sound of choral music.

Richard II – review 2011

Where professional critics are concerned, her confidence in her own and Adam Cork's work has been triumphantly vindicated.

We shouldn't make entertainment out of others' tragedy | Catherine Bennett 2011

Guests keeping Cork's electro fans happy include shadowy analogue aficionado Ekoplekz who shares the bill with Mordant Music labelmates Shackleton, Vindicatrix and Baron Mordant at Cyprus Avenue on Thursday, which also happens to be St Patrick's Night.

Clubs picks of the week 2011

But even Cork's music can't make a TV reporter's faulty technology exciting, nor the results of the local flower show.

London Road - review 2011

Richard Kent's gilded Gothic set is extraordinarily beautiful, and is made both awesome and mysterious by David Plater's lighting, while Adam Cork's music is unobtrusively moving—culminating in a passage where the king, imprisoned in "Pomfret" Pontefract Castle, seems to hear a vague melody and sings in quiet harmony and peace.

This Blessed 'Richard II' Paul Levy 2011

Cork's score, says Norris, is "much more difficult than anything I've been involved with before" because it follows Blythe's recorded material exactly.

London Road: Murder, they sang 2011

They are helped immensely by Paul Wills's ingenious coal-barge set; Howard Harrison's stormy lighting; and especially by Adam Cork's sounds of the angry sea, complemented occasionally by the singing of some other-worldly sea shanties that might, in another context, be taken for dirges.

Law Conquers Sea, Stage and Hearts Paul Levy 2011

And Adam Cork's music and sound underscore the point that the action springs out of a world in which tribal hatred is combined with passionate religious belief.

Romeo and Juliet - review 2011

Cork's music, however, has "given me more power to shape the words emotionally and narratively", to bring out the inferred, and amplify a point through repetition.

London Road: Murder, they sang 2011

It's left to Cork's songs to do the dramatic spadework, mining the impersonal interviews for emotional substance.

London Road - review 2011