Corot's

A painting I love will be at Galerie Jean-François Heim of Paris—Jean-Baptiste-Camille Corot's "The Velino above the Cascade of Terni" (1826), a whirl of blue-gray water rushing with life (€330,000).

In With the Old in Paris Margaret Studer 2011

Selected to present the unusual, as well as the iconic, the exhibition offers such surprises as Jean-Baptiste-Camille Corot's delicately outlined, very young female nude and the caricaturist Honoré Daumier's bold mythological scene, plus engaging examples by less familiar figures, such as Corot's contemporary Théodore Caruelle d'Aligny's energetically hatched pen-and-ink landscape.

Drawn to Revolution Karen Wilkin 2011

Corot's portraits have far too much honesty to them, and even his landscapes have this subtle bitterness in their beauty.

Jersey City Artist Graham McNamara Talks About His Work, the Studio Tour, and the Business of Art The Jersey City Independent 2010

France, the darker greens and browns predominate except for lighter tones in Corot's pastoral idylls.

IMPRESSIONISM IN ART THOMAS MUNRO 1968

This is a typical example of Corot's tone scheme, and little need be added to the description already given.

The Practice and Science of Drawing Harold Speed

This play, this lost-and-foundness at his edges is one of the great distinguishing charms of Corot's trees.

The Practice and Science of Drawing Harold Speed

He was fond of Corot, and at moments I have thought of him as the heir and successor to some of Corot's haunting graces; but there was all the difference between them that there is between lyric pure and tragic pure.

Adventures in the Arts Informal Chapters on Painters, Vaudeville, and Poets Marsden Hartley

It is also true that the rigid enforcement of the study of drawing was a healthy influence on Corot's early life.

McClure's Magazine, Vol. 6, No. 5, April, 1896 Various

Corot's professional dander was up, and he produced in a week a Corotish

The Collectors Frank Jewett Mather

The maidens in Corot's paintings, for example, seem to belong as naturally to the landscape as the very trees themselves.

The Principles of Aesthetics Dewitt H. Parker