Cream's

Quincy Jones's Jook Joint, Cream's Disraeli Gears, the Stones's More Hot Rocks, and some fine KMHD jazz, including an hour of the opening night at the new jazz facility at Lincoln Center.

Boop-boop-ba-boop-boop when I want to (Jack Bog's Blog) 2009

I'm interested at least to see someone else pick up on the possible importance of the 1943 Tommy Handley vehicle Time Flies as inspiration for Who - I wrote about this two years ago, and Robb cites an article making the same point by Phil Norman and Chris Diamond in TV Cream's Anatomy of Cinema (which turns out on further research to be a book on forgotten films published in 2007).

March Books 13) Timeless Adventures: How Doctor Who Conquered TV, by Brian J. Robb nwhyte 2010

Quincy Jones's Jook Joint, Cream's Disraeli Gears, the Stones's More Hot Rocks, and some fine KMHD jazz, including an hour of the opening night at the new jazz facility at Lincoln Center.

Jack Bog's Blog: June 2009 Archives 2009

Blind Faith set off on a US tour, but they were short of material and, in any case, the American audiences wanted to hear more of Cream's powerful rock and not Winwood and Clapton trading phrases on acoustic guitars.

Blind Faith: Under my Thumb 2009

His first concert was Cream's farewell show at Madison Square Garden in 1968.

Mile High Rock Poster And Art Expo Set For October 11 I Broomfield Boulder Daily Camera 2010

Especially on "Crossroads," the Robert Johnson number reborn by Cream's Clapton in the Sixties.

Michael Bialas: Shannon McNally Celebrates Her Spirit of Independence Days Michael Bialas 2011

His first concert was Cream's farewell show at Madison Square Garden in 1968.

Mile High Rock Poster And Art Expo Set For October 11 I Broomfield Boulder Daily Camera 2010

An instrumental jam on Cream's "Sunshine Of Your Love" meanders a bit, but it's still pretty cool to hear.

Rock N' Roll Menorah: Jimi Hendrix and His "New" Album 2010

Much of the music here is blues-based, from the rumbling upright bass of "I'll Burn It Down" (with Susan Tedeschi on background vocals) to the roiling undertow of "On Main Street," the latter reminiscent of Cream's arrangement of Albert King's "Born Under a Bad Sign."

Album review: Los Lobos's 'Tin Can Trust' 2010

Much of the music here is blues-based, from the rumbling upright bass of "I'll Burn It Down" (with Susan Tedeschi on background vocals) to the roiling undertow of "On Main Street," the latter reminiscent of Cream's arrangement of Albert King's "Born Under a Bad Sign."

Album review: Los Lobos, "Tin Can Trust" 2010