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Examples
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It's one of the show's many brilliant sleights of hand how their performances range from the full-on enthusiasm of the first number (though we sense something is off-key) to more and more reluctant as the show goes on, climaxing with a blackface routine when they wipe off the makeup and resolutely refuse Cullum's entreaties to do the Cake Walk and smile the way people love to see 'em.
Michael Giltz: Theater Review: "The Scottsboro Boys" Triumphs Michael Giltz 2010
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John Cullum's presence as the Interlocutor helps tremendously as well.
Michael Giltz: Theater Review: "The Scottsboro Boys" Triumphs Michael Giltz 2010
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John Cullum's presence as the Interlocutor helps tremendously as well.
Michael Giltz: Theater Review: "The Scottsboro Boys" Triumphs Michael Giltz 2010
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We also toast the cartooning legacy, raising a glass right where Cullum's beleaguered businessfolk and sophisticated canines so often found themselves: facing life's bracing little realities with a belly up to the bar.
In Memoriam: New Yorker cartoonist LEO CULLUM's warm and witty legacy Michael Cavna 2010
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Diffee also underscores Cullum's supportive influence on his colleagues.
In Memoriam: New Yorker cartoonist LEO CULLUM's warm and witty legacy Michael Cavna 2010
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In the wake of Leo Cullum's passing last week, Comic Riffs noted that the sublime gag cartoonist had seen more than 800 of his works published in The New Yorker -- 819, to be precise.
This week in The New Yorker: LEO CULLUM's final cartoon Michael Cavna 2010
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It's one of the show's many brilliant sleights of hand how their performances range from the full-on enthusiasm of the first number (though we sense something is off-key) to more and more reluctant as the show goes on, climaxing with a blackface routine when they wipe off the makeup and resolutely refuse Cullum's entreaties to do the Cake Walk and smile the way people love to see 'em.
Michael Giltz: Theater Review: "The Scottsboro Boys" Triumphs Michael Giltz 2010
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Liza Donnelly particularly recalls Cullum's blend of wit and compassion.
In Memoriam: New Yorker cartoonist LEO CULLUM's warm and witty legacy Michael Cavna 2010
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So there we are, I'm in jazz territory and this all started because I was listening to Jamie Cullum's programme on The Jazz.
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So there we are, I'm in jazz territory and this all started because I was listening to Jamie Cullum's programme on The Jazz.
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