Dehmel

The Arensky Chamber Orchestra, one of several burgeoning young ensembles trying to revitalise concert life, devoted an entire evening to Verklärte Nacht, performing it, in collaboration with the Royal College of Art, variously as a sextet, with readings of the poem by Richard Dehmel on which it is based, and with a film of two dancers.

Tosca; La rondine; Arensky Chamber Orchestra – review 2011

Ida Dehmel herself represents this complex makeup of identity in transition.

Ida Dehmel. 2009

During her life Ausländer was awarded the Droste-Prize of Meersburg (1967), the Ida-Dehmel-Prize, the Andreas-Gryphius Prize, the Roswitha-Medallion of Bad Gandersheim (1980) and the Literature Prize of the Bavarian Academy of Art (1984).

Rose Ausl��nder. 2009

Clearly, in designing the furniture for their house in Parkstraße, Dehmel followed the inspiration of these architect designers in having them hand built.

Ida Dehmel. 2009

Evidently, although Dehmel disparaged the merchants of Hamburg who, as he wrote to Stefan Zweig, “preferred attending commercial rather than poetry conferences” (9.5.1907 DA SUBH, No. 497), he felt at home in the city that provided a combination of cosmopolitanism, modernity and strong regional Hanseatic identity.

Ida Dehmel. 2009

It was not the subtle artistry of the Symbolists, but the ethical and intellectual force of the German character, which finally drew into a less anarchic channel the vehement energy of Dehmel.

Recent Developments in European Thought Various

The poet, replied Dehmel, had indeed to know the passion which transcends good and evil, but he had to know no less the good and evil themselves of the world in and by which common men live.

Recent Developments in European Thought Various

D'Annunzio and Dehmel and Claudel to our Georgian experimenters in the poetry of paradox and adventure.

Recent Developments in European Thought Various

If Nietzsche provoked into antagonism the sounder elements in Dehmel, he was largely responsible for destroying such sanity as the amazing genius of Gabriele D'Annunzio had ever possessed.

Recent Developments in European Thought Various

He who was once so careful in his choice of lyrics, and recognized the talents of such modern German poets as Birnbaum and Dehmel and Mackay, accepts librettos as dull and inartistic and precious as those with which Hofmannsthal is supplying him, and lends his art to the boring buffooneries of "Der Rosenkavalier" and "Ariadne auf Naxos."

Musical Portraits Interpretations of Twenty Modern Composers Paul Rosenfeld 1918