Dejection

It continues the debate about nature, the feminine, love and inspiration begun in "Dejection" and the "Immortality" ode.

Wordsworth's 'The Haunted Tree' and the Sexual Politics of Landscape 2001

When Coleridge calls for the storm to break loose and "startle this dull pain, and make it move and live" in the opening verse paragraph of "Dejection," is he calling on an aleatory disruption that will at least break him free of the ever-frustrated quest for significance, or for a painful rebirtha last, lucky, throw of the dicein the godhead of the "intellectual breeze"?

Complexity and Order. 2001

The lines in Coleridge's "Dejection" -- I was not then acquainted with them -- exactly describe my case:

The autobiography of John Stuart Mill 1873

Such a poem is Shelley's Stanzas Written in Dejection Near

The 'Power of Sound' and the Great Scheme of Things: Wordsworth Listens to Wordsworth 2008

This scene complements, rather than rejects, Coleridge's less paternal and more desperate appeal to female sympathy in "Dejection."

Wordsworth's 'The Haunted Tree' and the Sexual Politics of Landscape 2001

The lines in Coleridge's 'Dejection' -- I was not then acquainted with them -- exactly described my case:

Youth: Its Education, Regimen, and Hygiene G. Stanley Hall 1885

Coleridge said it in his 1802 "Dejection" ode: "In our life alone does nature live."

An Artifice For America 2008

Wordsworth's marriage to Mary Hutchinson, on October 4, 1802, had called forth from Coleridge his ode on "Dejection," printed in the _Morning

The Works of Charles and Mary Lamb — Volume 5 The Letters of Charles and Mary Lamb Mary Lamb 1805

"Dejection" is distinguished from the other poems in this volume by containing, along with its wonderful interpretation of outward nature into harmony with his own else unutterable sadness, Coleridge's -- and perhaps all poets '-- essential philosophy of poetry.

Rime of the ancient mariner Samuel Taylor Coleridge 1803

Thus, all Coleridge's best poetry, with the exception of those three saddest of voices out of a broken life, "Dejection" (1802), the lines to Wordsworth on hearing him read "The Prelude" (1807), and "Youth and Age" (1823-32), belongs either wholly or in its inception to the year of his fellowship with the

Rime of the ancient mariner Samuel Taylor Coleridge 1803