Dostoevski's

Dostoevski's lack of taste, his monotonous dealings with persons suffering with pre-Freudian complexes, the way he has of wallowing in the tragic misadventures of human dignity -- all this is difficult to admire.

Canonical Writers 2008

It is, as in all Dostoevski's novels, a rush and tumble of words with endless repetitions, mutterings aside, a verbal overflow which shocks the reader after, say, Lermontov's transparent and beautifully poised prose.

Canonical Writers 2008

For Salon's Andrew O'Hehir, Paranoid Park is a visually lovely, semi-experimental riff on Dostoevski's Crime and Punishment that has almost no point of contact with actual human existence ....

GreenCine Daily: Cannes. Paranoid Park. 2007

Dostoevski's classic depiction is fictional, but no less convincing and no less disturbing:

Warranted Christian Belief 1932- 2000

Dissertation on Dostoevski's influence on English-language novelists.

Flux Tales of Human Futures Card, Orson Scott 1990

Dostoevski's Brothers Karamazov, freely admits that systematic injustice and clever manipulation, masked if need be by sophistry and ceremony, offer the only means to maintaining a modicum of social order.

SENSE OF THE COMIC EDWARD G. BALLARD 1968

{FN13-2} One is reminded here of Dostoevski's observation: “A man who bows down to nothing can never bear the burden of himself.”

Autobiography of a Yogi Yogananda, Paramhansa, 1893-1952 1935

{FN13-2} One is reminded here of Dostoevski's observation: "A man who bows down to nothing can never bear the burden of himself."

Autobiography of a Yogi Paramahansa Yogananda 1922

"A House of Gentlefolk," the girl in Dostoevski's "Poor Folk;" Dunia and Sonia, in "Crime and Punishment" -- many others might be called to mind.

Essays on Russian Novelists William Lyon Phelps 1904

Dostoevski's "House of the Dead" is marked by that naive Russian simplicity that goes not to the reader's head but to his heart.

Essays on Russian Novelists William Lyon Phelps 1904