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Examples
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Jorma Elo's "Lost on Slow," to bits of Vivaldi, is a typical miscellaneous affair from this Finn with little feel for ballet steps and much fondness for tic-filled moves that animate the dancers the way shock treatments might.
Neapolitan Sunshine Brightens Danish Gloom Robert Greskovic 2011
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Arpad Elo's rating system, adopted by FIDE in 1970.
Lubomir Kavalek: Chess History: From Bobby Fischer to Hikaru Nakamura Lubomir Kavalek 2011
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Elo's third commission for the Santa Feans, "Overglow," commissioned by the Wolf Trap Foundation, in the slide show below:
Debra Levine: Ballets Russes Updated: Aspen Santa Fe Ballet Turns 15 Debra Levine 2011
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Elo's third commission for the Santa Feans, "Overglow," commissioned by the Wolf Trap Foundation, in the slide show below:
Debra Levine: Ballets Russes Updated: Aspen Santa Fe Ballet Turns 15 Debra Levine 2011
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Arpad Elo's rating system, adopted by FIDE in 1970.
Lubomir Kavalek: Chess History: From Bobby Fischer to Hikaru Nakamura Lubomir Kavalek 2011
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Jorma Elo's "Lost on Slow," to bits of Vivaldi, is a typical miscellaneous affair from this Finn with little feel for ballet steps and much fondness for tic-filled moves that animate the dancers the way shock treatments might.
Neapolitan Sunshine Brightens Danish Gloom Robert Greskovic 2011
-
Arpad Elo's rating system, adopted by FIDE in 1970.
Lubomir Kavalek: Chess History: From Bobby Fischer to Hikaru Nakamura Lubomir Kavalek 2011
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Elo's jiggly stylings are the hottest fad among the big ballet companies, and like most fads, his work tends to be forcefully cute -- and lives in the memory only temporarily.
Ballet Across America: Smaller troupes stand tall at Kennedy Center 2010
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The costume designed by Anja Mlakar for Jorma Elo's "One Overture" is a half-and-half affair - literally: the dancer in the solo has a tutu encircling half of her waist and a jagged line bisecting her
NYT > Home Page By CLAUDIA LA ROCCO 2011
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There are Mr. Elo's usual visual tics, and his typical riffs on the idea of a mechanical ballerina doll on Monday it was the San Francisco Ballet principal Maria Kochetkova.
NYT > Home Page By CLAUDIA LA ROCCO 2011
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