Federman

Federman uses his own "life experiences" as material on which to perform the imaginative turns fiction always performs, but in Federman's case the performance is made "concrete," conducted on the page without disguise.

Performing Its Own Self 2010

Federman uses his own "life experiences" as material on which to perform the imaginative turns fiction always performs, but in Federman's case the performance is made "concrete," conducted on the page without disguise.

January 2010 2010

Federman uses his own "life experiences" as material on which to perform the imaginative turns fiction always performs, but in Federman's case the performance is made "concrete," conducted on the page without disguise.

Experimental Fiction 2010

Federman is a writer who directly and self-consciously engages in a "performance" strategy -- anyone who picks up Double or Nothing or Take It or Leave It will immediately encounter Federman's notational performance as his text spreads itself across and down the page in seemingly (but not actually) chaotic arrangements -- but ultimately his work forces us (or should force us) to consider the extent to which the writing of fiction and poetry is always, as Kutznick points out, about doing rather than saying.

Doing Something as a Reality 2009

Federman is a writer who directly and self-consciously engages in a "performance" strategy -- anyone who picks up Double or Nothing or Take It or Leave It will immediately encounter Federman's notational performance as his text spreads itself across and down the page in seemingly (but not actually) chaotic arrangements -- but ultimately his work forces us (or should force us) to consider the extent to which the writing of fiction and poetry is always, as Kutznick points out, about doing rather than saying.

Experimental Fiction 2010

Federman is a writer who directly and self-consciously engages in a "performance" strategy -- anyone who picks up Double or Nothing or Take It or Leave It will immediately encounter Federman's notational performance as his text spreads itself across and down the page in seemingly (but not actually) chaotic arrangements -- but ultimately his work forces us (or should force us) to consider the extent to which the writing of fiction and poetry is always, as Kutznick points out, about doing rather than saying.

December 2009 2009

The Israeli army and border police evacuated an outpost known as Federman's Farm from the

Palestine Blogs aggregator 2008

In 1998 my father, Lyle Federman, a software developer and theologian with no criminal record, never suspected of any crime, and according to several deputies posing no threat, was also shot by the KCSD.

Eliyahu Federman: Police Fatally Shoot Mentally Ill Teen Eliyahu Federman 2012

In 1998 my father, Lyle Federman, a software developer and theologian with no criminal record, never suspected of any crime, and according to several deputies posing no threat, was also shot by the KCSD.

Eliyahu Federman: Police Fatally Shoot Mentally Ill Teen Eliyahu Federman 2012

By a generation of French readers schooled in the works of Robbe-Grillet, Roussel, Federman, Sarraute, Sollers, Pinget and Butor, and the films of Godard and Resnais, such an approach would be almost intuitively understood.

Ballardian » ‘Le passé composé de J. G. Ballard’: JGB on Empire of the Sun 2009