Gaillarde

Gaillarde was as loud and swaggering in his assumed character as in his real one of a colonel of dragoons — drew near.

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Gaillarde was staring, white as death, at me from the other side of the hearth.

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Belle Étoile, and then came a silence, which I broke by asking him if he knew anything of Colonel Gaillarde.

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I was thinking of Colonel Gaillarde, and I stopped the little waiter as he passed me.

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Gaillarde, who had with difficulty been kept in the background up to this; the other was that of my jolly friend Whistlewick, who had come to identify me.

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Gaillarde himself filled the coffin, on the cover of which that false name was inscribed as well as upon a tomb-stone over the grave.

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Colonel Gaillarde, who, in the costume of a corporal of the

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Gaillarde and the Marquis together, in so shabby and even dirty a place, or who the mean person, biting the feather end of his pen, might be.

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With the grisette, to whom he did much to give a niche (one can hardly call it a shrine) in literature, whom he celebrated so lovingly, and whose gradual disappearance he has so touchingly bewailed, or with any feminine person of partly grisettish kind, such as the curious and already briefly mentioned heroine of _Une Gaillarde_, [53] he is almost invariably happy.

A History of the French Novel, Vol. 2 To the Close of the 19th Century George Saintsbury 1889

The autobiographic hero, Paul Deligny, is one of his nearest approaches to a gentleman, yet no one can call him insipid or priggish; the heroine, Augustine Luceval, by marriage Jenneville, is in the same way one of his nearest approaches to a lady, and, though not such a madcap as the similarly situated Frédérique of _Une Gaillarde_

A History of the French Novel, Vol. 2 To the Close of the 19th Century George Saintsbury 1889