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Examples
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As Gellis liberally and deftly applies paint in a series of wide, muscular swaths offset by delicate calligraphic swipes, an impending sense of abstraction emerges.
Bill Bush: Debating Through the Arts: This Artweek.LA (July 25-31) Bill Bush 2011
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Gellis' painting process begins as a gestural dialogue with particular homes and buildings near her 18th Street Arts Center studio, which she will often document in various states of destruction or decay.
Bill Bush: Debating Through the Arts: This Artweek.LA (July 25-31) Bill Bush 2011
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Yvette Gellis: Ephemera | This series of large paintings by artist Yvette Gellis appear abstract at first viewing but, upon closer examination, reveals discernible fragments of representation.
Bill Bush: Debating Through the Arts: This Artweek.LA (July 25-31) Bill Bush 2011
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Perhaps Gellis explains it best herself: "the work teeters back and forth between the ambiguity of abstraction and the restraints of representation."
Bill Bush: Debating Through the Arts: This Artweek.LA (July 25-31) Bill Bush 2011
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Gellis' work first garnered critical praise by writer Constance Mallinson in Art in America for its, "lively repartee between the illusion of deep, infinite space and the immediate surface pleasure of energetic abstract painting."
Bill Bush: Debating Through the Arts: This Artweek.LA (July 25-31) Bill Bush 2011
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Perhaps Gellis explains it best herself: "the work teeters back and forth between the ambiguity of abstraction and the restraints of representation."
Bill Bush: Debating Through the Arts: This Artweek.LA (July 25-31) Bill Bush 2011
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Gellis' work first garnered critical praise by writer Constance Mallinson in Art in America for its, "lively repartee between the illusion of deep, infinite space and the immediate surface pleasure of energetic abstract painting."
Bill Bush: Debating Through the Arts: This Artweek.LA (July 25-31) Bill Bush 2011
-
Gellis' painting process begins as a gestural dialogue with particular homes and buildings near her 18th Street Arts Center studio, which she will often document in various states of destruction or decay.
Bill Bush: Debating Through the Arts: This Artweek.LA (July 25-31) Bill Bush 2011
-
As Gellis liberally and deftly applies paint in a series of wide, muscular swaths offset by delicate calligraphic swipes, an impending sense of abstraction emerges.
Bill Bush: Debating Through the Arts: This Artweek.LA (July 25-31) Bill Bush 2011
-
Perhaps Gellis explains it best herself: "the work teeters back and forth between the ambiguity of abstraction and the restraints of representation."
Bill Bush: Debating Through the Arts: This Artweek.LA (July 25-31) Bill Bush 2011
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