Gottlob

Gottlob Frege wanted all Jews expelled from Germany.

Matthew Yglesias » Endgame 2010

In 1879 Gottlob Frege came up with predicate logic, in effect trying to find a way to represent general truths, whether in mathematics or elsewhere.

Wolfram Blog : Stephen Wolfram on the Quest for Computable Knowledge 2009

If Gottlob Frege could write simple declarative sentences, these folks ought to be able to manage it.

The Volokh Conspiracy » Telos Returns to ‘New Class’ Analysis and the Critique of the ‘Wholly-Administered Society” 2010

The novel offers us caricatures of power in the figures of Bonaparte Blenkins and Tant' Sannie -- cruel, greedy, ignorant people; it offers caricatures of passivity and gentleness, too, especially in the character of Waldo's father, Gottlob, who is a kind of holy fool.

The Story of an African Farm 2010

Notes: While most toy collectors believe Gottlob Frege was the founder of modern logic, many do not believe that Friedrich Ludwig Frege was the founder of modern logic.

July 5th, 2007 wheatland_press 2007

Abraham Gottlob Werner, Von den äußerlichen Kennzeichen der Foßilien (Leipzig, 1774), 87 §41.

The Creation of Color in Eighteenth-Century Europe 2006

Abraham Gottlob Werner, the geologist and Bergmeister at the mining school in Freiberg (Saxony), used Schäffer's treatise as a starting point for his own specimen-based color-identification system. 9 Werner's color system had a more limited objective than Schäffer's but a broader range; it was part of an effort to describe and classify all characteristics of "fossils" — rocks and minerals dug out of the earth.

The Creation of Color in Eighteenth-Century Europe 2006

Abraham Gottlob Werner, Von den äußerlichen Kennzeichen der Foßilien (Leipzig, 1774), 92 – 3 §44.

The Creation of Color in Eighteenth-Century Europe 2006

Von den äußerlichen Kennzeichen der Foßilien, abgefaßt von Abraham Gottlob Werner, der Bergwerks-Wissenschaften und Rechte beflißenen, auch der Leipziger öconomischen Gesellschaft Ehren - Mitglied.

The Creation of Color in Eighteenth-Century Europe 2006

Note 13: Johann Heinrich Gottlob von Justi, Das entdeckte Geheimniss der neuen sächsischen Farben, benebst einigen Betrachtungen von dem Vorzug und der Theorie dieser neuen Färbekunst (Vienna, 1751); Gottfried Michael Kortum, Neue Versuche der Färbekunst, betreffend die, bisher unter dem Namen “Sans pareille de Saxe” bekannten blauen und grünen Farben (Breßlau, 1749). back

The Creation of Color in Eighteenth-Century Europe 2006