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Examples
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Below, mezzo-soprano Joyce DiDonato, who received the Artist of the Year prize at this year's Grammophon awards, recalls a number of mentors -- including a third grade teacher who planted the seeds of self-confidence.
Soprano Joyce DiDonato On The Teacher That Influenced Her The Huffington Post News Team 2010
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Where they do have the edge over the Deutsche Grammophon disc is in the generous French fillers – there's Debussy's Fantaisie, and a selection of Massenet's piano pieces, which Bavouzet judges perfectly and dispatches with great panache, especially the rather remarkable and unexpected Valse Folle from 1898.
Ravel: The Piano Concertos; Debussy: Fantaisie; etc – review Andrew Clements 2010
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TA: Well, somebody from Deutsche Grammophon approached me--that's the classical side of Universal.
Mike Ragogna: Stevie Nicks' "Moonlight (A Vampire's Dream)," Plus Chatting With Tori Amos, Suzanne Vega, Jackie DeShannon and Shelby Lynne Mike Ragogna 2011
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I think that Deutsche Grammophon was correct in that I wouldn't have been able to approach a 21st Century song cycle if I hadn't been hammered by the whole musical-writing process, and with such an incredible creative team that I've been lucky enough to be working with.
Mike Ragogna: Stevie Nicks' "Moonlight (A Vampire's Dream)," Plus Chatting With Tori Amos, Suzanne Vega, Jackie DeShannon and Shelby Lynne Mike Ragogna 2011
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I think that Deutsche Grammophon was correct in that I wouldn't have been able to approach a 21st Century song cycle if I hadn't been hammered by the whole musical-writing process, and with such an incredible creative team that I've been lucky enough to be working with.
Mike Ragogna: Stevie Nicks' "Moonlight (A Vampire's Dream)," Plus Chatting With Tori Amos, Suzanne Vega, Jackie DeShannon and Shelby Lynne Mike Ragogna 2011
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But, it really helped me to be in a place where I could understand what this Deutsche Grammophon person was talking about when he said, "Why don't you write a song cycle, but based in the 21st Century...and remember, song cycles can travel in time and do anything you want, as long as you have your foundation clear."
Mike Ragogna: Stevie Nicks' "Moonlight (A Vampire's Dream)," Plus Chatting With Tori Amos, Suzanne Vega, Jackie DeShannon and Shelby Lynne Mike Ragogna 2011
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The concert program reflects Mr. Hope's investigation into the work and influence of the great 19th-century Austro-Hungarian violinist and composer Joseph Joachim, who also inspired his critically acclaimed Deutsche Grammophon recording "The Romantic Violinist: A Celebration of Joseph Joachim."
Inspired by Joseph Joachim Barrymore Laurence Scherer 2012
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In the liner notes to the resultant Deutsche Grammophon "original cast" recording of the opera, Vera Brodsky Lawrence editor of Joplin's "Collected Piano Works" wrote that "Treemonisha" represented Joplin's intention "to write a serious grand opera according to the accepted standards of his day."
'Treemonisha' as It Was Intended To Be Barrymore Laurence Scherer 2011
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But, it really helped me to be in a place where I could understand what this Deutsche Grammophon person was talking about when he said, "Why don't you write a song cycle, but based in the 21st Century...and remember, song cycles can travel in time and do anything you want, as long as you have your foundation clear."
Mike Ragogna: Stevie Nicks' "Moonlight (A Vampire's Dream)," Plus Chatting With Tori Amos, Suzanne Vega, Jackie DeShannon and Shelby Lynne Mike Ragogna 2011
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TA: Well, somebody from Deutsche Grammophon approached me--that's the classical side of Universal.
Mike Ragogna: Stevie Nicks' "Moonlight (A Vampire's Dream)," Plus Chatting With Tori Amos, Suzanne Vega, Jackie DeShannon and Shelby Lynne Mike Ragogna 2011
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