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Examples
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Hartmann drafted it as a choral memorial to Berg during the years of the Third Reich, but withheld it from performance until after the second world war, when he reworked the solo soprano parts into this concise series of songs, to texts by Andreas Gryphius.
Berg: Seven Early Songs, Two Songs after Theodor Storm etc; Hartmann: Lamento – review Andrew Clements 2010
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During her life Ausländer was awarded the Droste-Prize of Meersburg (1967), the Ida-Dehmel-Prize, the Andreas-Gryphius Prize, the Roswitha-Medallion of Bad Gandersheim (1980) and the Literature Prize of the Bavarian Academy of Art (1984).
Rose Ausl��nder. 2009
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Donne, Góngora and Quevedo, Gryphius and Grim - melshausen have something in common, both in one national literature and all over Europe.
BAROQUE IN LITERATURE REN 1968
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So the Aulus Gellius, printed by Gryphius of Lyons, more than
The Book-Hunter A New Edition, with a Memoir of the Author John Hill Burton
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In one of the rooms, we found a small but choice library, consisting of a folio Bible, Gottfrieds Chronicle, two volumes of the Theatrum Europum, an Acerra Philologica, Gryphius Writings, and some other less important works.
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Sébastien Gryphe, or Gryphius, who printed and published a large number of works during the second quarter of the sixteenth century, was also extravagant in the way of Marks, of which there are at least eight, all, however, of one common type -- the Griffin, sometimes quite without any sort of decorative attributes or motto, and sometimes as in the example here given.
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The two printers of the same name, Jehan Lecoq, who were practising the art continuously during nearly the whole of the sixteenth century at Troyes, employed a Mark on the shield of which appears the figure of a cock; whilst an equally appropriate if much more ugly design, was employed by the eminent Lyons family of Sébastien Gryphe or Gryphius: he had at least eight “griffin” Marks, which differed slightly from one another.
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Le Preux, Paris, some years before the Gryphius family came into notoriety, and it was employed contemporaneously with this by B. Aubri,
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Germans call it -- had furnished the type for all compositions of this class, even for those, like the [199] "Ode" of Gryphius given above, which were not meant for church use.
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[170] Opitz, [171] Flemming, and [172] Gryphius were certainly not stars of the first magnitude, but at least they shone with a certain steady radiance as the brightest points among a luminous cloud of smaller writers; but as they one by one went out no others took their place.
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