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Examples
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Upon the birth of her daughter Aviva in 1933, she and Gor decided to return to Palestine, where she auditioned repeatedly for Habimah but was rejected.
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In Moscow she met Nahum Zemach and Menahem Gnessin, who were among the founders of Habimah and who asked her to join the new theater company.
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After coming to Israel, she found her place in the Hebrew theater and studied at the Habimah studio under Zvi Friedland (1898 – 1967).
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Like the other actors who had founded Habimah in Moscow, Rovina was part of a group which sanctified the theater.
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More than any other actor or actress, Rovina was identified with the Hebrew theater and her name became almost synonymous with that of Habimah.
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Her 1994 – 1995 production of the novel Gog u-Magog (1941) by Martin Buber (1878 – 1965) relates to the destruction of the Jewish world in Europe, while her 1981 direction of The Work Room by J.C. Grumberg (b. 1939) for the Habimah Theater required a Holocaust workshop for the cast.
Michal Govrin. 2009
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In 1937 Habimah even refused to allow Bernstein-Cohen to appear at an event at which the company was scheduled to appear.
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Almagor began her professional career at the age of seventeen with Habimah.
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Bernstein-Cohen remembered this insult for many years, forgiving it only in 1968, when, towards the end of her career, Habimah invited her to perform in Separate Tables by Terence Rattigan.
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The group asked Menahem Gnessin, who had left Habimah, to be their manager and director.
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