Herz's

Adam Schofield examines the ways Juraj Herz's The Cremator "elicits psychological horror through its disorienting cinematography," how it "reflects trends in Nazi propaganda" and "the much-overlooked indirectly subversive Aesopian messages pertaining to communism that the film directed towards Czechoslovakian audiences of the late 1960s."

GreenCine Daily: Senses of Cinema. 43. 2007

Here Herz's analysis anticipates Kant's differentiation between natural and artistic beauty.

18th Century German Aesthetics Guyer, Paul 2007

The contrast between the two works in aesthetics is interesting, because while some arguments in Kant's work can be construed as subtle criticisms of some of Herz's positions, Herz finished even the second edition of his book without any knowledge of Kant's criticisms.

18th Century German Aesthetics Guyer, Paul 2007

Some of Herz's most interesting points and his greatest differences with Kant's theory of taste emerge in the discussion of the influence of morality on taste.

18th Century German Aesthetics Guyer, Paul 2007

The central arguments of this digression, which comes in Herz's exposition of Kant's new theory of space and time as the forms of sensibility, are first, that beauty is an objective property especially connected to the form of an object, and not a mere sensation or sentiment (Empfindung) in the subject, and second, that there are general principles of beautiful form.

18th Century German Aesthetics Guyer, Paul 2007

Here Herz's thought parallels the contemporary thought of Herder.

18th Century German Aesthetics Guyer, Paul 2007

Most of Herz's publications arose from his medical and scientific practice, and included his

18th Century German Aesthetics Guyer, Paul 2007

Although Kant will not mention Herz's name in the Critique of the Power of Judgment, this seems to be the kind of vindication of aesthetic experience that Kant criticizes under the name of an

18th Century German Aesthetics Guyer, Paul 2007

Herz's Considerations from Speculative Philosophy, published at the age of twenty-four, does not purport to be more than a German paraphrase of Kant's Latin dissertation, but it goes beyond Kant's published work on a number of points in the treatment of space, time, and things in themselves.

18th Century German Aesthetics Guyer, Paul 2007

Kant's analysis of pure judgments of taste might thus be seen as a criticism of Herz's theory.

18th Century German Aesthetics Guyer, Paul 2007