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Etymologies
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Examples
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She describes that style as a combination of the dramatic, high-key Hollywood portraits done in the 1930s and 1940s by George Hurrell and the sculptural, warm-toned photography of Edward Weston.
David Schonauer: How Herb Ritts Created the Idols We Deserved David Schonauer 2010
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The heavy-duty, highly-retouched glamour of Hollywood's golden age, captured by the photographers like of Hurrell, Laszlo Willinger, and Clarence Bull, went out of style with the end of the big studios in the 1960s.
David Schonauer: How Herb Ritts Created the Idols We Deserved David Schonauer 2010
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The heavy-duty, highly-retouched glamour of Hollywood's golden age, captured by the photographers like of Hurrell, Laszlo Willinger, and Clarence Bull, went out of style with the end of the big studios in the 1960s.
David Schonauer: How Herb Ritts Created the Idols We Deserved David Schonauer 2010
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The heavy-duty, highly-retouched glamour of Hollywood's golden age, captured by the photographers like of Hurrell, Laszlo Willinger, and Clarence Bull, went out of style with the end of the big studios in the 1960s.
David Schonauer: How Herb Ritts Created the Idols We Deserved David Schonauer 2010
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She describes that style as a combination of the dramatic, high-key Hollywood portraits done in the 1930s and 1940s by George Hurrell and the sculptural, warm-toned photography of Edward Weston
David Schonauer: How Herb Ritts Created the Idols We Deserved David Schonauer 2010
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She describes that style as a combination of the dramatic, high-key Hollywood portraits done in the 1930s and 1940s by George Hurrell and the sculptural, warm-toned photography of Edward Weston.
David Schonauer: How Herb Ritts Created the Idols We Deserved David Schonauer 2010
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She describes that style as a combination of the dramatic, high-key Hollywood portraits done in the 1930s and 1940s by George Hurrell and the sculptural, warm-toned photography of Edward Weston
David Schonauer: How Herb Ritts Created the Idols We Deserved David Schonauer 2010
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Photo by George Hurrell/John Kobal Foundation/Getty Images Ms. Russell in 1941 as the fiery Rio in "The Outlaw," the movie that made her a star and that director Howard Hughes fought for years with censors to get into wide release.
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She describes that style as a combination of the dramatic, high-key Hollywood portraits done in the 1930s and 1940s by George Hurrell and the sculptural, warm-toned photography of Edward Weston.
David Schonauer: How Herb Ritts Created the Idols We Deserved David Schonauer 2010
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She describes that style as a combination of the dramatic, high-key Hollywood portraits done in the 1930s and 1940s by George Hurrell and the sculptural, warm-toned photography of Edward Weston
David Schonauer: How Herb Ritts Created the Idols We Deserved David Schonauer 2010
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