Hustwit

In the third installment, "Urbanized," Mr. Hustwit takes on urban planning.

The Short List 2011

Independent film maker Gary Hustwit appears with Pixar's Michael B Johnson, who has worked on every feature the studio has released.

TYPO London conference livestream 2011

About a week later Hustwit received a nomination for an Independent Spirit Award in the “Truer than Fiction” category, which honors “an emerging director of non-fiction features who has not yet received significant attention.”

What's in a Font? 2008

Virginia Postrel talks with Gary Hustwit — director of Helvetica — about filmmaking, creativity, and the expressive implications of one of the world's most popular typefaces.

Playing to Type 2008

Virginia Postrel talks with Gary Hustwit — director of Helvetica — about filmmaking, creativity, and the expressive implications of one of the world's most popular typefaces

What's in a Font? 2008

Hustwit uses the story of Helvetica to tell the story of post World War II graphic design and to demonstrate the eternal aesthetic tension between the expressive and the classic.

What's in a Font? 2008

About a week later Hustwit received a nomination for an Independent Spirit Award in the “Truer than Fiction” category, which honors “an emerging director of non-fiction features who has not yet received significant attention.”

What's in a Font? 2008

Virginia Postrel talks with Gary Hustwit — director of Helvetica — about filmmaking, creativity, and the expressive implications of one of the world's most popular typefaces

What's in a Font? 2008

Riding the subway to and from his job as president of Plexifilm, a Brooklyn-based independent DVD label and film production company, Gary Hustwit sees the same thing everywhere: Helvetica.

What's in a Font? 2008

Hustwit uses the story of Helvetica to tell the story of post World War II graphic design and to demonstrate the eternal aesthetic tension between the expressive and the classic.

What's in a Font? 2008