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Examples

  • Of the editions of 1543, of Boiardo's "Innamorato" only one other copy is known, that in the Royal Library at Stuttgart.

    The Story of Wellesley Florence Converse 1919

  • It is the glorification of chivalry in all its elements, and continues and completes the "Orlando In namorato" of Boiardo, which had appeared in 1495, but, though the "Innamorato" is its foundation it far surpasses its forerunner in perfection of style and form, variety of incident, the gay and brilliant mingling of the romantic and medieval with the classical, the artistic interweaving of the two great cycles of Charlemagne and Arthur.

    The Catholic Encyclopedia, Volume 1: Aachen-Assize 1840-1916 1913

  • Italian Boyardo's "Orlando Innamorato" (in part), and from the

    The Catholic Encyclopedia, Volume 11: New Mexico-Philip 1840-1916 1913

  • Bolardo's "Canzoniere", somewhat Petrarchan in tone, but largely original in form, is the finest collection of love poems of the century; his unfinished "Orlando Innamorato", a poetic romance in ottava rima, gives fresh life to the Carlovingian legends by informing them with the spirit of the Arthurian Cycle.

    The Catholic Encyclopedia, Volume 8: Infamy-Lapparent 1840-1916 1913

  • A warlike heroine in Boiardo’s “Orlando Innamorato” and Ariosto’s “Orlando Furioso.

    Of the Institution and Education of Children. To the Ladie Diana of Foix, Countesse of Gurson. 1909

  • Insane, is a continuation of Boiardo's "Orlando Innamorato."

    The Book of the Epic 1894

  • At the same time she addressed a letter to her old friend, Messer Matteo Boiardo, at Ferrara, requesting him to send her the concluding cantos of his poem, the "Orlando Innamorato," which had not as yet been given to the world.

    Beatrice d'Este, Duchess of Milan, 1475-1497 Julia Mary Cartwright Ady 1887

  • But in the midst of official labours and court duties, Matteo was all the while engaged in writing his great work of the "Orlando Innamorato," that wonderful epic in which classic and romantic ideas are mingled together as strangely as in Piero di Cosimo or Sandro Botticelli's paintings.

    Beatrice d'Este, Duchess of Milan, 1475-1497 Julia Mary Cartwright Ady 1887

  • Innamorato_, which was followed by Ariosto's _Orlando Furioso_, the delight of Italy.

    Mrs. Shelley Lucy Madox Brown Rossetti 1868

  • No painting is more fit to illustrate the "Orlando Innamorato."

    Renaissance in Italy Volume 3 The Fine Arts John Addington Symonds 1866

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