Joints

With a booth set up at the Warped Tour, a cooler of beer, a rented van, a designated driver that was actually responsible, some Herbal Speed and a million JAZZ cigarettes (that's what the boys have taken to calling Joints) what else could we do?

withkerth Diary Entry withkerth 2004

THE BONES of the skeleton are joined to one another at different parts of their surfaces, and such connections are termed Joints or Articulations.

III. Syndesmology. Introduction 1918

Elsewhere, the paradoxical nature of Holly's compositions works against her - the feather-light, feedback-soaked melody of 'Joints' is inopportunely drowned mid-way by torrents of stodgy, brash horns, and 'No One Just Is' attempts to create a venomous ambience by using abrasive, Fiery Furnaces-style keyboards and punishing walls of feedback over Holly's Vampiric, Victoria Legrande-reminiscent coo, but without any clear song structure, it unfortunately sags.

The Line Of Best Fit 2010

Elsewhere, the paradoxical nature of Holly's compositions works against her - the feather-light, feedback-soaked melody of 'Joints' is inopportunely drowned mid-way by torrents of stodgy, brash horns, and 'No One Just Is' attempts to create a venomous ambience by using abrasive, Fiery Furnaces-style keyboards and punishing walls of feedback over Holly's Vampiric, Victoria Legrande-reminiscent coo, but without any clear song structure, it unfortunately sags.

The Line Of Best Fit 2010

Elsewhere, the paradoxical nature of Holly's compositions works against her - the feather-light, feedback-soaked melody of 'Joints' is inopportunely drowned mid-way by torrents of stodgy, brash horns, and 'No One Just Is' attempts to create a venomous ambience by using abrasive, Fiery Furnaces-style keyboards and punishing walls of feedback over Holly's Vampiric, Victoria Legrande-reminiscent coo, but without any clear song structure, it unfortunately sags.

The Line Of Best Fit 2010

Elsewhere, the paradoxical nature of Holly's compositions works against her - the feather-light, feedback-soaked melody of 'Joints' is inopportunely drowned mid-way by torrents of stodgy, brash horns, and 'No One Just Is' attempts to create a venomous ambience by using abrasive, Fiery Furnaces-style keyboards and punishing walls of feedback over Holly's Vampiric, Victoria Legrande-reminiscent coo, but without any clear song structure, it unfortunately sags.

The Line Of Best Fit 2010

Elsewhere, the paradoxical nature of Holly's compositions works against her - the feather-light, feedback-soaked melody of 'Joints' is inopportunely drowned mid-way by torrents of stodgy, brash horns, and 'No One Just Is' attempts to create a venomous ambience by using abrasive, Fiery Furnaces-style keyboards and punishing walls of feedback over Holly's Vampiric, Victoria Legrande-reminiscent coo, but without any clear song structure, it unfortunately sags.

The Line Of Best Fit 2010

Elsewhere, the paradoxical nature of Holly's compositions works against her - the feather-light, feedback-soaked melody of 'Joints' is inopportunely drowned mid-way by torrents of stodgy, brash horns, and 'No One Just Is' attempts to create a venomous ambience by using abrasive, Fiery Furnaces-style keyboards and punishing walls of feedback over Holly's Vampiric, Victoria Legrande-reminiscent coo, but without any clear song structure, it unfortunately sags.

The Line Of Best Fit 2010

Elsewhere, the paradoxical nature of Holly's compositions works against her - the feather-light, feedback-soaked melody of 'Joints' is inopportunely drowned mid-way by torrents of stodgy, brash horns, and 'No One Just Is' attempts to create a venomous ambience by using abrasive, Fiery Furnaces-style keyboards and punishing walls of feedback over Holly's Vampiric, Victoria Legrande-reminiscent coo, but without any clear song structure, it unfortunately sags.

The Line Of Best Fit 2010

Elsewhere, the paradoxical nature of Holly's compositions works against her - the feather-light, feedback-soaked melody of 'Joints' is inopportunely drowned mid-way by torrents of stodgy, brash horns, and 'No One Just Is' attempts to create a venomous ambience by using abrasive, Fiery Furnaces-style keyboards and punishing walls of feedback over Holly's Vampiric, Victoria Legrande-reminiscent coo, but without any clear song structure, it unfortunately sags.

The Line Of Best Fit 2010