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Examples
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Even when otherwise acknoweldging the limitations of one or another conventional approach, as in Keesey's essay or Aimee Bender's essay on "character motivation," the writers can't seem to give up on the assumptions giving rise to the approach.
October 2009 2009
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Even when otherwise acknoweldging the limitations of one or another conventional approach, as in Keesey's essay or Aimee Bender's essay on "character motivation," the writers can't seem to give up on the assumptions giving rise to the approach.
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Even when otherwise acknoweldging the limitations of one or another conventional approach, as in Keesey's essay or Aimee Bender's essay on "character motivation," the writers can't seem to give up on the assumptions giving rise to the approach.
Our Stories 2009
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"We see the action occur; we feel the time pass," as Keesey puts it later in the essay.
Our Stories 2009
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Keesey acknowledges that writers like Woolf and Proust slow down the unfolding of scene -- which Keesey calls "infolding" -- but she can't see this as an implicit repudiation of "scene" except in its most perfunctory role as a framing device.
Our Stories 2009
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"We see the action occur; we feel the time pass," as Keesey puts it later in the essay.
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Keesey acknowledges that writers like Woolf and Proust slow down the unfolding of scene -- which Keesey calls "infolding" -- but she can't see this as an implicit repudiation of "scene" except in its most perfunctory role as a framing device.
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Keesey acknowledges that writers like Woolf and Proust slow down the unfolding of scene -- which Keesey calls "infolding" -- but she can't see this as an implicit repudiation of "scene" except in its most perfunctory role as a framing device.
October 2009 2009
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The arrival of the cops during the opening heist compels the gang to take the bank's attractive manager, Claire Keesey (Rebecca Hall), hostage.
The Town Philip French 2010
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"We see the action occur; we feel the time pass," as Keesey puts it later in the essay.
October 2009 2009
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