Lope's

Lope's success, of petulance and querulousness, and so on; and it was in this that the sting lay.

Don Quixote 2002

Whoever he may have been, it is clear that he was one of the dramatists of Lope's school, for he has the impudence to charge Cervantes with attacking him as well as

Don Quixote 2002

Both Vossler and Spitzer, however, consider even Lope de Vega baroque (in spite of Lope's objec - tions to Góngora).

BAROQUE IN LITERATURE REN 1968

Mudanzas de la fortuna y sucesos de Don Beltran de Aragón_; his _Selva confusa_ is also adapted from a play of Lope's which bears the same title; his _Encanto sin encanto_ derives from Tirso de Molina's _Amar par señas_, and, to take an extreme instance, the second act of his _Cabellos de

Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 "Bulgaria" to "Calgary" Various

The "Filomena", the first of the works just mentioned, is in part Lope's poetic defence of himself and his methods against the attacks of a certain Torres

The Catholic Encyclopedia, Volume 9: Laprade-Mass Liturgy 1840-1916 1913

The whole genre is very artificial, and Lope's work is certainly so.

The Catholic Encyclopedia, Volume 9: Laprade-Mass Liturgy 1840-1916 1913

Certain "Epístolas" found in the "Filomena" give information regarding Lope's life and work, and also give utterance to an attack Upon the school of Gongora.

The Catholic Encyclopedia, Volume 9: Laprade-Mass Liturgy 1840-1916 1913

Begun in Lope's early years, it was kept by him throughout his life, and received final embellishments in his old age.

The Catholic Encyclopedia, Volume 9: Laprade-Mass Liturgy 1840-1916 1913

But it is the woman that becomes all important in Lope's plays; as

The Catholic Encyclopedia, Volume 9: Laprade-Mass Liturgy 1840-1916 1913

Lope's writings include some 2000 plays, of which perhaps

Modern Spanish Lyrics 1899