Mallinson

In a catalogue essay for LeMel, art critic Constance Mallinson wrote, "This uncomfortable limbo signifies the stage between possibilities, prompting us to ask, as LeMel has, what is worth saving or discarding, and ultimately how we can be transformed."

Bill Bush: What is Worth Saving? This Artweek.LA (November 14-20, 2011) Bill Bush 2011

Gellis' work first garnered critical praise by writer Constance Mallinson in Art in America for its, "lively repartee between the illusion of deep, infinite space and the immediate surface pleasure of energetic abstract painting."

Bill Bush: Debating Through the Arts: This Artweek.LA (July 25-31) Bill Bush 2011

In a catalogue essay for LeMel, art critic Constance Mallinson wrote, "This uncomfortable limbo signifies the stage between possibilities, prompting us to ask, as LeMel has, what is worth saving or discarding, and ultimately how we can be transformed."

Bill Bush: What is Worth Saving? This Artweek.LA (November 14-20, 2011) Bill Bush 2011

Gellis' work first garnered critical praise by writer Constance Mallinson in Art in America for its, "lively repartee between the illusion of deep, infinite space and the immediate surface pleasure of energetic abstract painting."

Bill Bush: Debating Through the Arts: This Artweek.LA (July 25-31) Bill Bush 2011

Gellis' work first garnered critical praise by writer Constance Mallinson in Art in America for its, "lively repartee between the illusion of deep, infinite space and the immediate surface pleasure of energetic abstract painting."

Bill Bush: Debating Through the Arts: This Artweek.LA (July 25-31) Bill Bush 2011

In a catalogue essay for LeMel, art critic Constance Mallinson wrote, "This uncomfortable limbo signifies the stage between possibilities, prompting us to ask, as LeMel has, what is worth saving or discarding, and ultimately how we can be transformed."

Bill Bush: What is Worth Saving? This Artweek.LA (November 14-20, 2011) Bill Bush 2011

In a catalogue essay for LeMel, art critic Constance Mallinson wrote, "This uncomfortable limbo signifies the stage between possibilities, prompting us to ask, as LeMel has, what is worth saving or discarding, and ultimately how we can be transformed."

Bill Bush: What is Worth Saving? This Artweek.LA (November 14-20, 2011) Bill Bush 2011

Gellis' work first garnered critical praise by writer Constance Mallinson in Art in America for its, "lively repartee between the illusion of deep, infinite space and the immediate surface pleasure of energetic abstract painting."

Bill Bush: Debating Through the Arts: This Artweek.LA (July 25-31) Bill Bush 2011

To do this, Mallinson insists that the ‘navy must get over its obsession with capital ships’ and that theRAF must change from a ‘fast jet flying club into a tactical air force’.

The Tories may raid the aid budget to fund the military 2010

To do this, Mallinson insists that the ‘navy must get over its obsession with capital ships’ and that theRAF must change from a ‘fast jet flying club into a tactical air force’.

Gordon Brown, Charlie Whelan and Me 2010