Marlow's

Peter Marlow's attempt to find the perfect shot of Margaret Thatcher giving a speech in 1981 looks like a piece of Pop Art: The 42 headshots, in careful array, appear to be floating, and this highlights the subtle variations of her speaking performance.

Photo-Op: Miles and Miles and Miles 2011

This is fostered not only through university-level programs like the one at AU, or community music schools like the Levine School of Music, the Washington Conservatory and the Potomac Arts Academy at George Mason University (which hosts an annual Guitar Rendezvous headed by Larry Snitzler, another Washington Guitar Quartet alum), or competitions like the Marlow's Beatty Music Scholarship Competition for guitarists 18 and under.

Washington is once again taking pride of place in its classical guitar tradition Anne Midgette 2010

Martin got two tumblers, and fell to reading the book of verse, Henry Vaughn Marlow's latest collection.

Chapter 32 2010

But he also makes good, minimalist use of Marlow's haunting first-person narration: speech bubbles are kept to a minimum so that the reader is always with Marlow, seeing the terrifying banks of the river only through his eyes (and sometimes, neatly, through his binoculars).

Heart of Darkness by Joseph Conrad, David Zane Mairowitz and Catherine Anyango 2010

The second part of Jonathan Marlow's interview with DA Pennebaker focuses on the concert films besides Don't Look Now and on the delightfully chaotic episode of his life that happens to star Jean-Luc Godard.

GreenCine Daily: Interview. DA Pennebaker. 2. 2007

The second part of Jonathan Marlow's conversation with documentary filmmaker Les Blank opens with a story as to how the narration in Burden of Dreams came about and covers all sorts of ground before touching on the work of Blank's son, Harrod (In the Land of Owl Turds and Wild Wheels), who gathered his first production experience on the set of Werner Herzog Eats His Shoe.

GreenCine Daily: Interview. Les Blank. 2007

Update, 1/14: The latest entry is on one of Jonathan Marlow's favorites, the "intensely, and quite classically, surreal" Valerie and Her Week of Wonders.

GreenCine Daily: Steven Shaviro. Eastern European Film. 2007

In Season 3 the drug dealers transition from feudal aristocracy to oligopoly by pooling their resources on a single drug shipment -- a step closer to capitalism, and violence falls (excepting among Marlow's crew, the lone players who still operate under the old feudal system rather than joining the drug co-op).

Conor Friedersdorf: The Wire Isn't a Critique of Capitalism 2008

I "enjoyed" TSD a great deal first time around and particularly loved Marlow's biting sarcasm and hostility.

The Truth Will Out. Fathorse 2008

Tomorrow evening's program, Marlow's Cabinent of Curiosities Revisited, features rarities sure to delight and bewilder.

GreenCine Daily: Fests and events, 12/5. 2006