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Examples
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"First impressions are fierce; only upon a replay could I begin to grasp Wild at Heart separate from my sensorial responses to Lynch's visual and aural atmospheres," writes Kristi Mitsuda.
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More from Ed Gonzalez (Voice) and Kristi Mitsuda (indieWIRE).
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The "Shot" comes from Kristi Mitsuda, who writes, "However provocative its premise may be, Day Night eschews sensationalism."
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"Similar to the Danish director's last film, Brothers, big moments remain grounded with elusive, elliptical camerawork," writes Kristi Mitsuda at indieWIRE.
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"[I] f Jindabyne doesn't quite coalesce like its taut predecessor, it comes close enough; its unevenness is made up for by its ambitious wanderings through trickier, thought-provoking terrain, and, although it goes slack occasionally, clocking in at just over two hours, the film resonates with rhythmic momentum," writes Kristi Mitsuda at Reverse Shot.
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Kristi Mitsuda at indieWIRE on The Dead Girl: As with her first feature, Blue Car, [Karen] Moncrieff exhibits an admirable sensitivity in her earnest regard of her subjects and textural feel for images; she has a way of visualizing the female form - especially when nude - in a manner that attributes rather than strips personhood, as so often happens in American film.
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Kristi Mitsuda: "Come Early Morning is neither a cinematic achievement nor is it highly original; but if you look closely, it's less middling and more provocative than it first appears."
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Related: Kristi Mitsuda at indieWIRE and Jean Oppenheimer in the Voice.
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Kristi Mitsuda at indieWIRE on Thom Fitzgerald's 3 Needles: Why the focus on only the most sensationalistic stories to come out of the AIDS crisis?
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This is a recurring image in the book and the thinking behind the "bomb" of the title, too, by all accounts - it symbolises Yamamoto's anger, Mitsuda says, and is "dear" because it remains the driving force behind his desire to create.
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